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| Potted Austen: Pride And Prejudice by Lou Treleaven |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short play ideal for schools or classrooms. |
| Synopsis | A short, humorous adaptation of Jane Austen's Pride and Prejudice, covering all of the salient events and characters. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Potted Austen: The Complete Set by Lou Treleaven |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Six bitesize adaptations of Jane Austen's novels. |
| Synopsis | A collection of six bitesize dramatic adaptations of Jane Austen's published novels. Each is fast-paced, witty, and amenable to small groups (cast size can be reduced to six with some crafty doubling). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Potted Pride & Prejudice by Nadya Henwood |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 14. No chorus. Written for a cast of 4 playing 14 roles (with one of the men playing the older female roles). |
| Run Time | Around 50 minutes. [Estimated!]
The original production (with a cast of 4) ran between 45 and 50 minutes. |
| Music | None. |
| Style | A one-act adaptation of Jane Austen's novel, designed to be performed in a simple set (just furniture brought on by the cast). Essentially a drama, but with comedy, not least from the casting. |
| Synopsis | Mrs Bennet is keen to find husbands for her four daughters, especially when the wealthy Mr Bingley moves into the area. Elizabeth instantly dislikes the snobbish Darcy, and Lydia runs off with the charming Wickham, but not everyone is how they first seem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Pride and Prejudice - Stage Adaptation by Gerald P. Murphy |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Stage adaptation of Jane Austen's Novel. (A three-volume novel thoroughly distilled to become a 45 minute play!) No specific set requirements, apart from six chairs. |
| Synopsis | Elizabeth Bennet wishes to marry for love, whilst her parents and suitors see the matter entirely in terms of wealth and status. Then there's Mr. Darcy, whom Elizabeth keeps at more than arm's length for his rudeness and arrogance. Will there ever be a match? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Pride and Prejudice [Full-Length] by Charlie Cook |
| Roles | Minimum Male roles = 8. Minimum Female roles = 10. Minimum total with doubling = 18. Minimum total without doubling = 18. No chorus. In addition to the 18 characters, there are a further four optional non-speaking parts. |
| Run Time | Around 150 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length adaptation of Jane Austen's classic. Single composite set with three locations. |
| Synopsis | Bingley, Darcy, Lizzy, Wickham and Collins sneer, smarm and spurn their way through this well-loved tale of manners and assumptions. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Princess Bigfoot by Bob Heather |
| Roles | Minimum Male roles = 5. Minimum Female roles = 8. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act family play, based on real characters circa 750 AD (though incorporating folk tales). |
| Synopsis | In 8th Century France an identity theft scheme to usurp the Princess Bertha from her position as the wife of King Pepin is thwarted by that famous pair of investigators: Messrs Hercule and Poirot - as well as by the Princess’s shoe size. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Prisoners' Dilemma by Matthew Lynch |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. Six main characters and four cameo roles. |
| Run Time | Around 71 minutes. [Estimated!] |
| Music | None. |
| Style | A drama in two scenes, which could be played as two acts - making it a full length piece, with a single (prison cell) set. |
| Synopsis | A disparate group of strangers are locked in a prison cell, not knowing the reason for their incarceration. They are all put to the test through a series of challenges, some of which could be lethal, and finally seem able to benefit - from finding their inner selves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Problem In Judaea by Stewart Boston |
| Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 12. Minimum total without doubling = 13. Chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Easter play. Structurally in two acts, but of one act length. Three sets, but designed for minimal staging. |
| Synopsis | A minimalist retelling of the events surrounding the Crucifixion, told from the point of view of Pilate, the Sanhedrin and Herod. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Pursuit Of Perfection by Anna Tyrie |
| Roles | Minimum Male roles = 5. Minimum Female roles = 9. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | None. |
| Style | A one act fantasy play |
| Synopsis | Told through the eyes of twins and their mother, the play examines prejudice - set in an Orwellian world in which the 'natural crop' becomes dominated by those of 'perfect' genetically modified breeding. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Ragged Trousered Philanthropists by Robert Tressell, adapted by Dave Jeanes |
| Roles | Minimum Male roles = 20. Minimum Female roles = 5. Minimum total with doubling = 25. Minimum total without doubling = 27. No chorus. The cast is mainly adults, but includes five children. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play adapted from Robert Tressell's classic English Socialist novel of the same name. |
| Synopsis | A group of painters redecorate a house, all the while discussing life and how to make a living whilst being trodden on by their superiors. Frank Owen, one of their number, is a firm socialist who believes his ideals can end the poverty from which they all suffer. Railed against by his peers, can he sway them to his way of thinking, or will he turn to theirs? And, ultimately, will it make a difference either way? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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