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| A Little Elfin Magic by Donna Brightwell |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. Whilst some of the characters are written as male or female, this is largely a matter of personal pronouns, so the script can easily be adjusted to accommodate anything from ten boys through to ten girls. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act (well, technically two acts, but of one-act play length!) secular Christmas play. Aimed at junior school children, but could enjoyably be played for laughs by older groups! |
| Synopsis | It's September and the Elves in Santa's toy workshop are in a spot of bother - they've only just woken up after their New Year Party and they have three months to make a year's worth of toys. Worse still, could the new department member be a spy? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Little Watch Girl by George Douglas Lee |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. Characters are a mixture of adults and children which could be played that way or could all be played by children. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play based on Hans Christian Andersen's Little Match Girl. Single set. Props include a rather under-cooked roast goose. |
| Synopsis | A familiar Christmas story is given a major twist when a starving, freezing girl out on a snow Christmas Eve supplements her match selling income by stealing watches from passers by. She is visited by several visions to help her learn the true meaning of Christmas. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Living Room by Clive David Lloyd Williams
New |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 54 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama of paranormal events in a single living room set (with two practical doors). |
| Synopsis | After the death of Joe's wife, his neighbour Amy visits to give him support. This is followed by a series of unexplained events, with paranormal investigators who themselves fall prey to the events. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Love by John Collings |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. The chorus of dancers is optional. |
| Run Time | Around 44 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act romantic comedy drama with a single multi-functional set. |
| Synopsis | A young girl dreams of finding real love and breaking away from her dominant mother. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Love and Marriage by Tony Domaille |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of four ten-minute comedies. (No sets, a few props.) |
| Synopsis | Four couples (supplimented, in one case, by a clergyman) address or reveal their approach to their relationships. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Love's Labour's Lost [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 10. Minimum Female roles = 5. Minimum total with doubling = 17. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | A 60-minute abridgement of the Shakespeare comedy.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | Ferdinand, King of Navarre, has decided that he and his court will devote three years to an ascetic life of studying, fasting, and forswearing the company of women. However, he has forgotten that the Princess of France and her retinue are due to visit. So, will the court pursue asceticism or pretty women? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Macbeth [a 60-minute abridgement] by Shakespeare abridged by Dwayne Lawler |
| Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 10. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Macbeth', with the original text of around three hours cut down to 60 minutes.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Witches, prophesies, murders, battles and ghosts. Shakespeare's Macbeth compressed to the compass of a small cast. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mam, There's a Spaceship in Our Backyard by Sarah Cowan |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 21. Minimum total without doubling = 21. No chorus. The men from the MOD are written as men. They might not be! The gender of the aliens is anyone's guess. (The numbers of MOD personnel, aliens and police could be treated flexibly.) Could be played by children or mixed adults and children. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One act play. Single set, complicated slightly by the arrival of the spaceship. Written in northern English with a northern English rude word (which could be excised if you are sensitive to such things.) |
| Synopsis | When a spaceship lands in their back yard, the Brown family aren't at all sure what to do about it. Until they discover there's a reward, that is. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Man of Quality by Richard Morris |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One act play, exploring slavery and its abolition in the West Indies. Multiple settings, but suitable for minimal staging, with location changes indicated mainly by lighting. |
| Synopsis | A historical drama based on the experiences of Janet Shaw and her father, the English Abolitionist James Shaw. Janet travels to Antigua to see for herself the treatment of slaves on the sugar plantations. She is impressed by the intelligent and gentle Robert, a house slave of her hosts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matt Freeman's San Antonio by Sandy Radford |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
| Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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