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| Trouble With Freddy by Joseph A. Jones |
| Roles | Minimum Male roles = 4. Minimum Female roles = 7. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy/farce. Single box set. |
| Synopsis | Freddy and Edith have enough trouble with their two daughters and Freddy's Orchid obsession, but then the Delia White show reunites Edith with her long lost sister Joyce and opens a whole new can of worms. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Truth Fairies by Sally Kinnell |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play with touches of dark comedy, most suitable for adult cast and audiences. |
| Synopsis | Aileen's had a long and successful acting career, but it hasn't prepared her for meeting up with a couple of old friends - because she thought they were dead. Actually Liz and Frankie are alive and well, and they have to set Aileen straight about one more thing... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Twist by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 16. Minimum total without doubling = 22. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | Whirlwind adaptation of Dickens' Oliver Twist as a one-act comedy for kids. |
| Synopsis | Wide-eyed innocent Oliver progresses from orphanage to workhouse to den of thieves to prison cell and then back onto the mean streets as a fugitive, and not only from the law. No matter, things can only get better, can't they? Even the ever-optimistic Oliver is beginning to have doubts about that. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| Two Gentlemen of Verona by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 16. No chorus. Flexible numbers of soldiers and outlaws |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A humorous retelling of Shakespeare's story as a modern-language one-act play. |
| Synopsis | When Proteus follows his best friend Valentine to fashionable Milan, he finds himself attracted to the Duke of Milan's daughter, Silvia, upon whom Valentine has already set his sights. Hatching a plot to remove Valentine from the scene and move in on Silvia, he does not realise that he is being followed by Julia, the girl he left behind in Verona and to whom he has sworn everlasting devotion. Will the faithless scoundrel succeed with Silvia or will his efforts founder? A no-brainer, really. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Weddings and a Conference by Karen Doling |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Eleven speaking roles and an unspeakable photographer. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy play. Single (hotel reception) set. Structurally in two acts, but in length it's on the boundary between a one-act and a two-act (it could occupy a whole evening's theatre or be accompanied by a shorter piece.) Contains mild swearing. |
| Synopsis | A double-booked wedding reception at a hotel causes havoc for the brides, grooms, manager, receptionist, and the attendees of a conference that is supposed to be happening at the same time! However, it soon transpires that the double-booking is not the only coincidence they will have to deal with. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tyndale's Nativity by Paul Cockcroft |
| Roles | Minimum Male roles = 10. Minimum Female roles = 2. Minimum total with doubling = 15. Minimum total without doubling = 30. Chorus. Variable chorus size at the Producer's discretion. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama, focusing on the spoken words rather than the actions. |
| Synopsis | A sombre presentation of the Nativity story taken from Matthew and Luke, based on the translation by William Tyndale in 1534. |
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Underground by Jon Boustead
Production by Tykes won Best Youth Production (Teignmouth Drama Festival, 2017) |
| Roles | Minimum Male roles = 3. Minimum Female roles = 11. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. All cast should be of same or similar age. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act thriller for youth theatre, with a single - crashed Tube train carriage - setting. |
| Synopsis | A group of youth-age children on a school outing are left to fend for themselves, as they find themselves trapped in a crashed tube train and their teachers are nowhere to be found. They all have to deal with the horror in their own way and they take the plot along through intermittent narration and action. |
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| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| A Universal Sorrow by Graham J Evans |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. Ten on-stage roles plus two offstage voices. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Powerful, emotional one-act drama about a Welsh mining disaster in 1913. |
| Synopsis | Warning signs of an impending disaster are ignored by the mine owners and the colliers are left to deal with the consequences of over 400 of their colleagues, including a 14 year old boy, being trapped underground. The effect on the community of Senghenydd is poignantly brought to life as rescue attempts proceed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Until Death Do Us Part by Catherine Hurd |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 89 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length drama with various sets. |
| Synopsis | George and Jean have been happily married for many years and, as dementia starts its grip on George, Jean is determined that she will care for him despite their daughters' insistence that he should be placed in residential care. Jean’s determination is severely tested when an old flame, Harry Holmes, former detective and now successful novelist, comes to town for a book tour and tries to rekindle his romance with her. Matters get further complicated when an ex-con bent on revenge stalks Harry, and becomes convinced that Harry and Jean are trying to murder George. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Up, Up and Away by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
| Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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