|
| Hello, Nice To Meet You, Goodbye by Ashley Harris |
| Roles | Minimum Male roles = 6. Minimum Female roles = 9. Minimum total with doubling = 6. Minimum total without doubling = 17. No chorus. Cast size can be reduced to six with doubling and costume changes! |
| Run Time | Around 17 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act, large-cast comedy. |
| Synopsis | Various hilarious characters populate a fly-on-the-wall look at a speed dating evening. Gerald decides that a detailed account of his recent cricket match is the best way to woo a partner. Bryan delves into his recent toenail extraction to engage Beth before appropriately asking if she would like to eat. Whilst Alix is eager to find a man to test her martial arts skills on whether he wants her to or not. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Henry V Revisited by David Baldwin |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 23. Minimum total without doubling = 39. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A full length revised version of the Shakespearean play. |
| Synopsis | Shakespeare's famous play about the battle of Agincourt is updated, and Chorus reveals and explains the historical facts. The essentials of the original play are covered and the 'St. Crispin's Day' speech is retained unaltered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Hollingsborough Children's School Nativity Play by Archie Wilson |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 13. No chorus. It is intended that adults play all the roles (despite there being only one or two roles in which the adults play adults). |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Parody of a children's nativity play in which adults take the roles of the children |
| Synopsis | It's Nativity time again, and the kids are having the usual trouble - they can't keep the lines straight, can't pronounce the long words and want to wave at their parents as soon as they're onstage. This play will feel very familiar to a lot of people!
It should be emphasised that this is a parody and is not intended as a children's nativity play! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Hook and Peter Pan - How it all began by Giles Scott, Helen Dooley and Bob Walsh
Cape Times Awards for Amateur Theatre, "Best Musical" 2003 |
| Roles | Minimum Male roles = 12. Minimum Female roles = 8. Minimum total with doubling = 20. Minimum total without doubling = 35. Chorus. This is not a panto, but it would be possible for Peter Pan and some or all of the lost boys to be played by girls. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | Piano and vocal scores for Overture and 15 songs by Helen Dooley and Bob Walsh are supplied with the Producer's Copy of the script. |
| Style | Full-length musical which could be played by a youth company, by adults or by a mixture.
The production notes include extensive explanations of how to fly! |
| Synopsis | Everyone knows the story of Peter Pan. But how did the Boy Who Never Grew Up learn to fly? How did Hook lose his hand? How did the croc swallow the clock? This enchanting musical provides the answers! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
|
| Click here to read the script or Click here for more details. |
|
|
| Hotel Casablanca by S. J. Edwards |
| Roles | Minimum Male roles = 4. Minimum Female roles = 9. Minimum total with doubling = 18. Minimum total without doubling = 20. No chorus. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | One song Is suggested in the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act comedy on 4 minimal sets, suitable for youth theatre. |
| Synopsis | The Hotel Casablanca is unfortunately short on staff, just as Lady Chalfont arrives, trying to protect her necklace from a jewel thief. But will the thief be spotted in amongst the James Bond conventioneers and detective Sam Shovel? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Hound Of The Baskervilles [Version 2] by Matthew Harper |
| Roles | Minimum Male roles = 8. Minimum Female roles = 3. Minimum total with doubling = 11. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | A full length Victorian thriller, with various settings and many short scenes. |
| Synopsis | A fast paced dramatisation of the Conan-Doyle favourite, moving quickly and effortlessly from Holmes' cerebral consideration of the case, to the perils awaiting him and Dr Watson, not to mention Sir Henry Baskerville on Dartmoor. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| An Hour You Won't Get Back by tlc Creative |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 41. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of comedy sketches. |
| Synopsis | Nineteen sketches, each running between 1 and 5 minutes. No particular theme other than a desire to make the audience laugh! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| How Did That Get In My Locker? by Andrew M. Frodahl |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one act school play - chiefly American in theme and content, though could be adapted for other audiences. |
| Synopsis | When prom queen Emily goes missing and her bra turns up in Dullon Bland’s locker, only teen PI Ithaca Shue can help him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Howard Does His Best by Geoff Parker |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. The 10 'soldiers' are gender non-specific. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy suitable for performance by teens and chldren. |
| Synopsis | At the school dance, Howard, egged on by Wayne and Dave, sets out to cross the dance floor to ask Chardonnay (the most beautiful girl in the school) for a dance, but on the way various bits of his body begin to let him down. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
|