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Checkmate by Robert Scott
Best Seller |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 23 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play, with a simple set. |
| Synopsis | A tense thriller. In this play a friendly game of chess between husband and wife becomes more of a game of cat and mouse. Michael likes to think he's always one move ahead, but perhaps this time Amy has him in check. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Christmas Carol - The Real Story by Colin Calvert |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 9. No chorus. Two characters required for performance as a simple duologue, a further 7 (nominally 5F, 2M) required if the action is staged. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Essentially a duologue which could either be done without additional actors, (as an after-dinner piece) or be staged as a narrated mime. Minimal staging requirements. Makes no attempt to be 'politically correct'! |
| Synopsis | Two narrators tell the story of a modern day Scrooge who's having the wool pulled over his eyes by dishonest Bob Cratchit and his gang of cronies. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Christmas Carol In 60 Minutes Or Less! by Martin Prest |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 29. No chorus. Various doubling alternatives suggested in the Producer's copy of the script. |
| Run Time | Around 51 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play in various settings. |
| Synopsis | Staying as true to the original Dickens story as time allows, it unfolds neatly through narration and action. Originally published in 2014, revised edition published September 2017. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Christopher Columbus Was A Brat by Richard Gordon |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Characters comprise of a crusty old hobo and a teenage girl |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A one act fantasy with a hilltop setting. |
| Synopsis | CT is on her way to the other side of the mountain. Not to, really, but 'away from'. In her special quiet place she meets a strange man, dressed as a hobo who has some important things to tell her. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Collateral Damage by George J. Bryjak |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A one act-drama with a single setting of a car, which can be suggested and performed by the actors. Strong language, emotional adult content, US English. |
| Synopsis | A US Army captain returns from his second tour of duty in Afghanistan, and is met by his wife at the airport. During the drive home, the initial joy of this reunion is shattered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Coming of Age by Jack Oliver |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The teenage character is written as male but could be played as female. The middle-aged character can be played by a teenager if used for youth theatre, |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (bedroom) setting. US English. Some strong language. Suitable for youth theatre. |
| Synopsis | Allan makes his best attempt to rekindle the relationship with his teenage son Jordan, as they suffer from an emotional disconnection after the death of Jordan's mother. Jordan finds himself struggling to balance schoolwork and a social life while maintaining his dwindling mental health. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Contact by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | Sketch, simple set (a park bench) no props. |
| Synopsis | In the park, Simon and Alice are both waiting... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Contract Killer by Tony Domaille |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch for two actors. Set in a pub but can be played on an open stage. |
| Synopsis | Pub cat Tink's comfortable life is at risk when the owners call in a mouse-catching cat who wants to take his/her place. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Craving by Frank Gibbons |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | A short sketch in a simple setting. |
| Synopsis | The doctor has an unusual consultation... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Crusty Bloomers by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Customer definitely male. Shopkeeper probably male, but could be played female. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch. Not much set needed to indicate a shop, but quite a few (saleable) props. |
| Synopsis | A shopkeeper's patience is put to the test when he tries to serve a customer who seems to be at cross purposes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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