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Let Me Finish! by Janet S. Tiger |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Short drama. |
Synopsis | Liz is escorting her elderly father home after a hospital appointment. A debate about what to have for lunch turns into a shocking revelation about the family history. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Library by Shari Gledhill |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 18 minutes. [Estimated!] |
Music | None. |
Style | A short drama with a single (library) setting. |
Synopsis | Mature student Miranda is trying to catch up on her law assignment but is constantly distracted by Dan, a mysterious stranger. As their relationship develops over the library table, it becomes apparent that Dan knows more than first seemed, and then he claims to bring a message from Miranda’s dead husband. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Lie Detector by Peter Yates |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Thorpe and Beaulieu are written male and female respectively. That could, at a pinch, be altered. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | A neat sketch (a long skit, or a short play), with an excellent twist. Single very simple (interrogation room) set. |
Synopsis | It's not easy finding the truth, and Miss Beaulieu (if that is her real name) isn't having an easy time of it. Mr Thorpe is running rings around her and her lie detector, making her wonder if she needs a holiday. And with lies, things are not what they seem. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Lost and Found by Mike Smith |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The characters are labeled 'boy' and 'girl' because they have to be called something. This does not imply anything about their ages. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | Very short play, structured in two acts (because there are definitely two phases to the action - with and without suitcase), but actually a bare stage or front-of-curtain script. Very snappy dialogue. Contains mild bad language. |
Synopsis | Someone has lost a suitcase, and someone has found a suitcase. The pair meet up, trying to determine if the suitcase found is the same as the suitcase lost, despite mutual suspicion. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Lottery Ticket by Anton Chekhov, adapted Gerald P. Murphy |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Ten-minute play, adapted from a short story by Anton Chekhov. Single set, simple props (give or take a period telephone). |
Synopsis | Sylvia's lottery ticket matches the published part of the winning number. A single phone call well tell her of success or failure, but meanwhile she and her husband contemplate what might happen if she has won... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Love at Twilight [Short Play] by Bob Hammond |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 19 minutes. [Estimated!] |
Music | None. |
Style | A short romantic drama with a single (garden bench) setting. |
Synopsis | Clive and Liz are residents of a care home and have found themselves attracted to each other. Liz is unsure about falling into a serious relationship but Clive has other ideas. Events at the home lead them to take a significant step forward. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Love Clinic by Damian Trasler |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. One character is a voice-over, so could be pre-recorded. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | Fifteen-minute comedy play. Single set (simple office), simple props. |
Synopsis | Welcome to The Love Clinic, a dating agency which will solve all your relationship problems - or so the nervous Steven hopes... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Marigolds by John Chambers |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Middle-aged couple! |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | Hilarious fifteen-minute comedy. Simple single set. Simple props. Contains swearing. |
Synopsis | Harry is having trouble with his piles, and needs his wife Margaret to... take the problem in hand, so to speak. She's reluctant to use her lovely washing-up gloves for such a personal task, but he is adamant. While they struggle to... rectify... the problem, a few other things pop out that Harry had no idea about. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Meeting on a Train by Anton Chekhov, adapted Gerald P. Murphy |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The characters are written as young adults. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Ten minute play, based on the short story 'An Enigmatic Nature' by Anton Chekhov. Single set (train carriage, with no specific furnishings), minimal props. |
Synopsis | Meeting on a train, Ian tries to impress his travelling companion Ana. As it turns out, Ana impresses him in an unexpected way. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Miriam Waits by Amanda Giles |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 2. No chorus. Essentially a monologue, but with station Tannoy announcements (which could be played live or recorded) |
Run Time | Around 11 minutes. [Estimated!] |
Music | None. |
Style | A short well-written monologue with some interesting reflections on family relationships. |
Synopsis | As she waits at a railway station, Miriam recounts her relationship with her father over his final years. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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