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Nightwalking by Frank Canino Won third place in the Cambridge Theatre Challenge (international play-writing competition) 2014 |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 20 minutes. [Estimated!] This is right at the lower time limit for one-act play festivals, but a brilliant festival piece. |
Music | None. |
Style | Chamber theatre piece - black-box set, with a stepladder as the sole piece of furniture. The actors communicate through interior monologues and movement. |
Synopsis | A young wife discovers that her husband is going out at night, when he thinks she is asleep. What should she do? What will she find if she follows him? What will become of their relationship if she follows him or if she does not? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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No Strings Attached by Johnny Grim |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 23 minutes. [Estimated!] |
Music | The producer's copy of this script contains suggestions for two songs. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one act play with music, set in a puppet tent. |
Synopsis | Flip and Scratch are fairground puppets, once big stars but now fallen on hard times. Faced with the inevitable decline of their audiences, they discuss their various options. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Normal For by Tony Domaille Winner UK Community Drama Festivals Federation 'Geoffrey Whitworth Trophy' for the Best Original script of 2022 |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act drama in a single set. A great festival piece with potential for use in child protection workshops as a discussion starter. |
Synopsis | Teacher Emma worries about a nine-year-old boy in her class. But when she raises concerns, they are dismissed as 'Normal for here'. As she struggles against a culture of indifference, Emma finds herself facing a real dilemma. Articulates the dilemmas of teachers suspecting that pupils are abuse victims. The classroom setting and focus on the teacher allows it to honestly and openly explore these issues while not actually having to use any child actors or depict any abuse. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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Not Long Before Waking by Matthew Taylor |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Theatrical surrealism (the actors are on stage, but their dialogue comes through a soundtrack). Short play, single set, a few props. |
Synopsis | Two characters share a discussion inside a strange dream. The devil observes! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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One Mistake by Stephen Scheurer-Smith Winner of Cambridge Drama Festival 2008 |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 41 minutes. [Estimated!] |
Music | None. |
Style | One-act drama on a single hotel bar set. Can be performed alongside, and share a set with, its sister play Psychic Babble. |
Synopsis | An alcoholic has-been pop star is on the road with her daughter reluctantly in tow. They're the last ones in the hotel bar, but the bartender, a former City high-flyer, has a surprising past of his own. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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The Peterloo Principle by William Campbell |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | A short drama with minimal set requirements. |
Synopsis | A manager is having trouble seeing past the firm’s regulations when it comes to a friend’s problems, so she takes him back to the Peterloo massacre in 1819 to give him some perspective. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Pitch by Hilary Mackelden |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 3 minutes. [Estimated!] |
Music | None. |
Style | Short sketch intended for church groups. |
Synopsis | Film-makers pitch a movie called 'The Father of God'. (Matthew , 18-25) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Point of Departure by Mike Smith |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The cameo role - the acquaintance - is written male, but could be of either gender. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | Ten minute play set in a car. How the car is realised is left to the discretion of the producer - though the script does empahsise that cars tend to make a noise. |
Synopsis | Bill and Jane are dropping off an acquaintance when he makes an innocent remark. Bill suddenly realizes there's something he doesn't know about Jane, something small but significant and he wants to talk about it more than he wants to drive home. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Questions by Susan Vesey Winner of the Gloucestershire Theatre Association Playwriting Competition 2013 |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. Newsreader could be a recorded voice. |
Run Time | Around 18 minutes. [Estimated!] |
Music | None. |
Style | A short play, with a minimal set. |
Synopsis | Edward is getting annoyed with the nurse who is giving him his home visit check-up. She's asking all sorts of silly questions when he knows that he's perfectly fine. But not everything is as Edward remembers it. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Reality? by Bob Tucker |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two adults and one teenager. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | Startling fifteen minute play. Single set (just a couch), minimal props. |
Synopsis | What's going on? They appear to be a family, but they don't agree about who's who - or, indeed anything else! Parallel universes are colliding in one house, causing confusion about identity, location and time. (Okay, strictly, if they are parallel it should not be possible for them to collide, but the grammatical part of 'Multiverse' theory is not yet as advanced as the mathematics, so you'll just have to put up with an imprecise description!) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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