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Memories by John Passadino |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and an off-stage voice. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Romantic comedy in two short scenes. |
Synopsis | Robert's a great actor, and Judith is certain he's the one to star in her new play, but he's having a lot of doubts about his ability to remember the lines. His co-star does her best to help him out, with startling results. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Mum! by Geoff Parker |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. One female character is a non-speaking cameo role. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | A monologue-style short play, with a single, old folks' home, setting. |
Synopsis | Ever since his mum had gone into the old folks' home Colin and his wife Iris made sure that they visited her every day. They did not realise that their visits were not as important to Mum as they thought, and we learn exactly what she thinks about life in general. The inevitable end is respectfully handled by Colin. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Not Long Before Waking by Matthew Taylor |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Theatrical surrealism (the actors are on stage, but their dialogue comes through a soundtrack). Short play, single set, a few props. |
Synopsis | Two characters share a discussion inside a strange dream. The devil observes! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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One Solitary Line by Neil Walden Winner of One-Act Play Writing Competition at Wexford Literary Festival 2017 |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. One (gender non-specific) character is an offstage voice only. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | A comedy sketch with a single (dressing room) setting. |
Synopsis | Two actresses cast in a Shakespeare play bemoan the fact that the Bard gives so few opportunities for meaty female roles. This causes their relationship to become acrimonious. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Out of the Trees by Jamie Hope |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 4. No chorus. Two on-stage chracters and two off (who might be recordings). All the characters are written male, but, let's face it, they are all trees. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | Short comedy play with no requirements for set and props. |
Synopsis | Frank and Walt are a couple of trees who share tales of their conquests and pass the time bantering about tree life. They like to pick on the weeping willow on the edge of the forest, but will be friends to the end. Probably. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Peterloo Principle by William Campbell |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | A short drama with minimal set requirements. |
Synopsis | A manager is having trouble seeing past the firm’s regulations when it comes to a friend’s problems, so she takes him back to the Peterloo massacre in 1819 to give him some perspective. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Point of Departure by Mike Smith |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The cameo role - the acquaintance - is written male, but could be of either gender. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | Ten minute play set in a car. How the car is realised is left to the discretion of the producer - though the script does empahsise that cars tend to make a noise. |
Synopsis | Bill and Jane are dropping off an acquaintance when he makes an innocent remark. Bill suddenly realizes there's something he doesn't know about Jane, something small but significant and he wants to talk about it more than he wants to drive home. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Questions by Susan Vesey Winner of the Gloucestershire Theatre Association Playwriting Competition 2013 |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. Newsreader could be a recorded voice. |
Run Time | Around 18 minutes. [Estimated!] |
Music | None. |
Style | A short play, with a minimal set. |
Synopsis | Edward is getting annoyed with the nurse who is giving him his home visit check-up. She's asking all sorts of silly questions when he knows that he's perfectly fine. But not everything is as Edward remembers it. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Reality? by Bob Tucker |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two adults and one teenager. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | Startling fifteen minute play. Single set (just a couch), minimal props. |
Synopsis | What's going on? They appear to be a family, but they don't agree about who's who - or, indeed anything else! Parallel universes are colliding in one house, causing confusion about identity, location and time. (Okay, strictly, if they are parallel it should not be possible for them to collide, but the grammatical part of 'Multiverse' theory is not yet as advanced as the mathematics, so you'll just have to put up with an imprecise description!) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Saint Nicholas and the Three Purses of Gold by Timothy Hallett and Nicholas Richards |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 9. Chorus. Technically, there are no characters - that is to say, it could be sung by a soloist. In practice, the intention is for the singing to be shared between several narrators and a chorus whilst the story is mimed by actors. |
Run Time | Around 12 minutes. [Estimated!] |
Music | The Producer's Copy of the script comes with a complete piano and vocal score. |
Style | A sung story. (Technically, that makes it a Cantata, but don't let the fancy name put you off!) Does not require any set or props, but props could be used as part of a mime of the story. |
Synopsis | Where does our modern Santa Claus come from? He's descended from legends of Saint Nicholas, the fourth century Bishop of Myra - legends such as this one! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show
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Click here to read the script or Click here for more details. |
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