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Bears Don't Cry by Charles Alverson |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. The characters are a six-year-old girl (who might be played by any age!), a bear, a lion and two off-stage voices. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | A charming short play for an audience of children with five woodland scenes and a theme of friendship. (The script might be performed by kids or by adults or by a mix!) |
Synopsis | Young girl Shanni, separated from her bear hunter Daddy, is lost in the woods. She is befriended and cared for by Bear and a touching and deep friendship develops between the pair. [Our editor wished to stress that this script is not a reliable guide to the behaviour of ursines.] |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Board Meeting by Alexis Coward |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 13 minutes. [Estimated!] |
Music | One traditional song is suggested in the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A short comedy drama on a simple (meeting room) set. |
Synopsis | A group of imaginary friends from Layla’s childhood desperately try to come up with a plan to revive an adult Layla from a coma. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Brush Yourself Off and Move On by Megan Boduch |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. One character (the Director) has two short lines, which could be done from offstage. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | One-act play - a character study - set outside a Broadway audition (though it could be a theatrical audition anywhere). No specific set requirements, simple props. |
Synopsis | A Broadway hopeful is waiting nervously outside her latest audition. A rival gains her trust but proceeds to destroy her confidence, apparently for no better reason than her own amusement. Just as our girl is about to give it all up, however, a man arrives and is considerate and kind. He restores her confidence and points out her advantages over the more poisonous girl. Together they point out the girl's deficiencies to her and win the moral victory over her. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Cabinet Meeting by Seán Lang |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. All characters are written as elderly men, but can be played by actors of any gender. |
Run Time | Around 36 minutes. [Estimated!] |
Music | None. |
Style | A small historical backwater provides the backdrop for a moving, compelling drama. One-act play in a single setting (a dining room used for a formal meeting). |
Synopsis | The President of Poland and his cabinet fled to London after the Nazi occupation. Fifty years later, they are still living in exile, and holding regular meetings, despite having no control over what's going on in their homeland. Some of the ministers believe it is time to end it, but the senile President doesn’t want to move on. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Caring for Alice by Marc Brosnan |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 28 minutes. [Estimated!] |
Music | None. |
Style | One-act drama in a single set. |
Synopsis | Alice is in a care home and she doesn't like it. Her niece comes on a rare visit, asking for financial help and Alice makes a counter-offer - she'll front the money if her niece takes her in. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Chance Encounters by Jamesine Cundell Walker Best Seller |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 17. No chorus. Can be played with a different cast in every scene, or with the same cast throughout. |
Run Time | Around 76 minutes. [Estimated!] |
Music | None. |
Style | A full length play comprised of nine connected playlets with a single (park bench) setting. |
Synopsis | Nine encounters take place on a park bench during the course of a day in September. Some are dramatic, some comedic. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Christmas Carol In 60 Minutes Or Less! by Martin Prest |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 29. No chorus. Various doubling alternatives suggested in the Producer's copy of the script. |
Run Time | Around 51 minutes. [Estimated!] |
Music | None. |
Style | A one act play in various settings. |
Synopsis | Staying as true to the original Dickens story as time allows, it unfolds neatly through narration and action. Originally published in 2014, revised edition published September 2017. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Close Family by Iris Winston |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | A powerful short drama giving us a sensitive take on the socially unacceptable subject of incest. Stage split between two domestic locations. |
Synopsis | Janet, a young university student, is looking forward to her return to university after the summer break. She has exciting plans to move out of the halls of residence in Vancouver to live with her divorced father, Peter who has set up home there with his new partner, Janet’s pregnant Aunt Anne. Back home in Ottawa, Peter's divorced wife Carole is horrified to discover Janet's plans and does her utmost to dissuade her daughter from joining the incestuous home. Janet is insistent that her move to her father's house is in her best interests until she arrives and to her dismay the horror of her mistake is revealed. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Daffodils Make Me Sneeze by John Chambers Performance by Patrick Scott won the Mattie Gillies trophy (Best Supporting Performance) in the Isle of Arran Drama Association one-act festival 2024. |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Single set - a hospital room with a bed. Contains mild swearing. |
Synopsis | Marilyn, hospitalized after being assaulted by her partner, meets Edna - a middle-aged woman - and her long-suffering husband Raymond. She soon recognises Edna as an interfering type who thinks she knows what's best for everyone. She may be powerless to heal her own relationship, but after a private conversation with Raymond, Marilyn thinks a few well-placed words might make Raymond's life a little easier. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Dangerous Game by Geoff Rose-Michael Nominated for New Writing Award and Best Actor Award (Chris) at the Leatherhead Drama Festival 2015, and for Stage Presentation Award and Best Actress Award (Ellie) at Southern Counties Drama Festival 2015. |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 48 minutes. [Estimated!] |
Music | None. |
Style | One-act drama in a single (living room) set. |
Synopsis | Ellie and her partner, Fi, have an on-going dilemma, with no foreseeable way out, but they are prepared to play a dangerous game that could have serious consequences should the truth come out... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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