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Parish Politics by Anne Graham |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
Run Time | Around 22 minutes. [Estimated!] |
Music | None. |
Style | A one-act historical drama with various simple settings. |
Synopsis | It is 1663. The Civil War may be over but personal battles are still being fought in this English village, whilst ever-harsher laws and severe punishments breed fear, greed and superstition. An illegitimate child born to a single mother is a potential burden on the parish, so apart from the loss of her good name, the mother faces a public thrashing, particularly when the new petty constable is driven by personal revenge. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Playing Out by Gill Medway |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. 3 characters are children played by adults. 2 characters are offstage voices only, which can be pre-recorded. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | A one-act drama with no set required. |
Synopsis | Susan Trent, a woman in her seventies, looks back on her childhood in post-war London, and the friends she loved - and hated. Her childish love for Stanley endures throughout her life, despite an early tragedy. And her intense rivalry with Stan's older sister, Sandra, will probably never be resolved. If we could meet our younger selves - just once - what would we say to them? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Red Nose, Floppy Shoes by James Brosnahan 2019 Monkey Bread Tree Script Competition - Winner, Best Character Arc. “It’s a bit of a ridiculous event, and the whole thing would be mighty entertaining on screen, especially with these personas.” |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. One of the five listed characters is a voice-over. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | One-act satirical comedy. Single (domestic kitchen) set. |
Synopsis | Michael's DNA test confirms his self-diagnosed Coulrophobia (fear of clowns). When Dr Keegle informs him he actually has the dreaded Clown Syndrome and only a week to live, his wife must keep him away from any form of comedy. Michael agrees to attend a support group. Tragically, the DNA test was mixed up, and rather than Courophobia, Michael has actually got the Clown Gene - he's a clown, and cannot help himself delivering an improvised stand up routine to the members of the Clown Syndrome support group. Exposed to comedy, they die in droves and Michael is carted off to prison, charged with murder. At the last moment his sentence is commuted to Community Service and his family must adjust to the new Michael, from his red nose to his floppy shoes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Right on Cue by Barry Lambert |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Roles are written as 2 male, 2 female, but all could be played as either. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy with a single (police office) setting. |
Synopsis | The Battersea Batterer is causing havoc for the understaffed local CID as he goes around the neighbourhood hitting people over the head with a billiard cue. The police are snookered at first but are assisted by a psychological profiler in solving the case. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sarah by Mark Seaman |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Pat and Sarah are 21 but the actors also play them as children. Pat's parents change age in step with her. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | A touching, well-crafted one act play that uses monologues and flash-backs to achieve a fine balance between sensitivity and sentimentality as the story of Pat's relationship with her father and her friend Sarah unfolds. Single set. Mild swearing. |
Synopsis | Pat is about to mark her twenty first birthday in a very different way. Her best friend Sarah will be there, but this year their relationship will change and things will never be the same again, for either of them, as the true nature of their friendship is revealed. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Second Thoughts by Colin Calvert |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. (The max. and min. numbers depend on whether the production follows the author's intention and uses a quartet of four female singers to punctuate the action. There are also a few lines addressed to passers-by who might or might not appear on stage.) |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single minimalist set - a bus stop. Few props. A study of an attempted mid-life affair. |
Synopsis | Harold is waiting at the appointed spot, a bus shelter, for a meeting with his old school friend Patti, and wondering if he's up to having an affair, if that's even what's on offer. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Setting The Record Straight by Liz Dobson |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act play set in a day room at a nursing home for the elderly. |
Synopsis | Stuart is visiting his Aunt in the home again. She's refused any pain medication so she can keep her mind clear - she wants to set the record straight. She tells Stuart things her never knew about her own past, things that involve his mother and her family. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Singled Out by Geoff Rose-Michael Nominated for New Writing Award and Set Design Award, and winner of Best Actress Award (Jo) at Leatherhead Drama Festival 2014 |
Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. There are two principal characters, one non-speaking (and largely immobile) character and an opening voice-over (which could be recorded, omitted or consigned to programme notes!) |
Run Time | Around 36 minutes. [Estimated!] |
Music | None. |
Style | One-act thriller with a single (meeting room) setting. |
Synopsis | When SODA, the Singles Online Dating Agency, arranges a social night for some of its members, the first two girls to arrive soon discover they have both previously suffered a similar disturbing experience, and that they have been lured there by person or persons unknown, and then locked in. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sixty-Love by Mike Rowbottom |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 48 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy with a single (tennis club veranda) setting. |
Synopsis | Middle-aged widow Felicity, who pretends she's ten years younger, is having a sizzling relationship with Alan, who is 25 years her junior. They are observed by Deborah and Jennifer, two older women, who eventually discover suppressed feelings in themselves. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Tide is Coming In by Michael C. Appleby Production by The Edinburgh Makars won First Prize (and the Edith Forbes Trophy) in the Scottish Community Drama Association's One Act Play Festival, Edinburgh, 2020 |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Characters written as 2m, 2F, but can be played by any combination with permissible tweaks to names and pronouns. |
Run Time | Around 28 minutes. [Estimated!] |
Music | None. |
Style | A witty one-act comedy with funny characters and plenty of action. Set on a beach, furnished with rocks and (not necessarily visibly) sand! |
Synopsis | Angela gets stuck in quicksand while walking along the beach. Her friend Brian helpfully explains the physics of thixotropy, but can’t think of a way to get her out. Deirdre and Colin pass by and are recruited into the rescue, but are more interested in a nearby black-throated diver. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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