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| Towards the Light by Judith Ezekiel |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | One popular song suggested for diegetic use throughout the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act supernatural drama on a single set. |
| Synopsis | Twenty-year old Neil has given Poppy, a teenage runaway, shelter in his London flat. But Poppy senses the ghostly presence of a previous tenant and calls in a medium to exorcise the property. No-one quite realises the potency of Letitia, a heartbroken older spirit seeking reconciliation with her long-lost daughter. Love, laughter and dance bring in a final understanding between the two worlds and herald optimism for the future. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Trapped In The Web by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play comprising four monologues. Minimal set - mainly chairs and computers! |
| Synopsis | Four characters whose common denominator is their addiction to their computers and the Internet - though they have very different reasons for their habit. Ultimately it is a play about individuals caught up in their own world - at times a world far removed from reality. With touching and at the same time comic stories to tell, ex rugby player Tom, reality TV forum fan Pam, E-Bay addict Susie, and dating site enthusiast Brenda keep us engrossed in their individual experiences on the web. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Trifle Unwell by Jane Lockyer Willis |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set. Difficult to categorise, but plenty of scope for characterisation. Contains mild swearing. |
| Synopsis | Jo's hiding from the rest of the party out on the stairs, but she's disturbed by Flora, who's escaping with the trifle. The pair meet Phil, who shouldn't really be there and then the hostess comes along to ask some searching questions. A light drama with added custard and sherry. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Turing Test by Stuart Ardern |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Three principal females. The cafe manager, carer and social services manager could be male or female and could be played by one actor. Equally, the carer could be played by two actors, each taking a scene. |
| Run Time | Around 49 minutes. [Estimated!] |
| Music | None. |
| Style | An emotional one-act drama in which a family confronts dementia.. (Could be staged with just furniture, making it a good festival piece.) |
| Synopsis | Alison Grove, an artificial Inteligence researcher, is struggling to cope with her mother's Alzheimer's disease when she should be focused on the question of whether machines are capable of rational thought. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Work Experience by Peter Harrison |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A gentle, enjoyable comedy. Easy to stage (in a single living room set) with a majority female cast. |
| Synopsis | Housewife Melissa is very fond of her daily routine, so when her husband Gerald takes early retirement, she’s increasingly irritated by his disruptions to it. With the help of her friends, she devises a solution which brings her own life-changing experience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Won't Know I'm Here by Dawn Cairns |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Three on-stage characters, two off (one of which - the voice of a newsreader - would probably be recorded, the other would be better live, being the unseen half of a phone conversation.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (living room) setting. |
| Synopsis | For the last thirty years there has been mutual antipathy between Sheila and her Mother-In-Law, Jean whose son John dotes upon her. Today is John and Sheila's thirtieth wedding anniversary and Sheila is looking forward to a special holiday. Jean, however has other ideas. The same characters also appear in a festive counterpart I Don't Think I'll Be Here Next Christmas. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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