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Red Nose, Floppy Shoes by James Brosnahan 2019 Monkey Bread Tree Script Competition - Winner, Best Character Arc. “It’s a bit of a ridiculous event, and the whole thing would be mighty entertaining on screen, especially with these personas.” |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. One of the five listed characters is a voice-over. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | One-act satirical comedy. Single (domestic kitchen) set. |
Synopsis | Michael's DNA test confirms his self-diagnosed Coulrophobia (fear of clowns). When Dr Keegle informs him he actually has the dreaded Clown Syndrome and only a week to live, his wife must keep him away from any form of comedy. Michael agrees to attend a support group. Tragically, the DNA test was mixed up, and rather than Courophobia, Michael has actually got the Clown Gene - he's a clown, and cannot help himself delivering an improvised stand up routine to the members of the Clown Syndrome support group. Exposed to comedy, they die in droves and Michael is carted off to prison, charged with murder. At the last moment his sentence is commuted to Community Service and his family must adjust to the new Michael, from his red nose to his floppy shoes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Right on Cue by Barry Lambert |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Roles are written as 2 male, 2 female, but all could be played as either. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy with a single (police office) setting. |
Synopsis | The Battersea Batterer is causing havoc for the understaffed local CID as he goes around the neighbourhood hitting people over the head with a billiard cue. The police are snookered at first but are assisted by a psychological profiler in solving the case. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Second Thoughts by Colin Calvert |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. (The max. and min. numbers depend on whether the production follows the author's intention and uses a quartet of four female singers to punctuate the action. There are also a few lines addressed to passers-by who might or might not appear on stage.) |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single minimalist set - a bus stop. Few props. A study of an attempted mid-life affair. |
Synopsis | Harold is waiting at the appointed spot, a bus shelter, for a meeting with his old school friend Patti, and wondering if he's up to having an affair, if that's even what's on offer. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Sixty-Love by Mike Rowbottom |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 48 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy with a single (tennis club veranda) setting. |
Synopsis | Middle-aged widow Felicity, who pretends she's ten years younger, is having a sizzling relationship with Alan, who is 25 years her junior. They are observed by Deborah and Jennifer, two older women, who eventually discover suppressed feelings in themselves. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Tide is Coming In by Michael C. Appleby Production by The Edinburgh Makars won First Prize (and the Edith Forbes Trophy) in the Scottish Community Drama Association's One Act Play Festival, Edinburgh, 2020 |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Characters written as 2m, 2F, but can be played by any combination with permissible tweaks to names and pronouns. |
Run Time | Around 28 minutes. [Estimated!] |
Music | None. |
Style | A witty one-act comedy with funny characters and plenty of action. Set on a beach, furnished with rocks and (not necessarily visibly) sand! |
Synopsis | Angela gets stuck in quicksand while walking along the beach. Her friend Brian helpfully explains the physics of thixotropy, but can’t think of a way to get her out. Deirdre and Colin pass by and are recruited into the rescue, but are more interested in a nearby black-throated diver. |
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Awards | Click here to see the awards won by (productions of) this script. |
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Trapped In The Web by Cheryl Barrett |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play comprising four monologues. Minimal set - mainly chairs and computers! |
Synopsis | Four characters whose common denominator is their addiction to their computers and the Internet - though they have very different reasons for their habit. Ultimately it is a play about individuals caught up in their own world - at times a world far removed from reality. With touching and at the same time comic stories to tell, ex rugby player Tom, reality TV forum fan Pam, E-Bay addict Susie, and dating site enthusiast Brenda keep us engrossed in their individual experiences on the web. |
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Work Experience by Peter Harrison |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 28 minutes. [Estimated!] |
Music | None. |
Style | A gentle, enjoyable comedy. Easy to stage (in a single living room set) with a majority female cast. |
Synopsis | Housewife Melissa is very fond of her daily routine, so when her husband Gerald takes early retirement, she’s increasingly irritated by his disruptions to it. With the help of her friends, she devises a solution which brings her own life-changing experience. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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You Won't Know I'm Here by Dawn Cairns |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Three on-stage characters, two off (one of which - the voice of a newsreader - would probably be recorded, the other would be better live, being the unseen half of a phone conversation.) |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy with a single (living room) setting. |
Synopsis | For the last thirty years there has been mutual antipathy between Sheila and her Mother-In-Law, Jean whose son John dotes upon her. Today is John and Sheila's thirtieth wedding anniversary and Sheila is looking forward to a special holiday. Jean, however has other ideas. The same characters also appear in a festive counterpart I Don't Think I'll Be Here Next Christmas. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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