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| Three Billy Goats Cyber by Richard L. Sanders |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A politically satirical take on the classic fairy tale. |
| Synopsis | Three Billy Goats discuss strategies to get past the troll under the bridge and munch the lovely grass on the other side. The use of present day cyber technologies becomes part of the scheming. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Tide is Coming In by Michael C. Appleby
Production by The Edinburgh Makars won First Prize (and the Edith Forbes Trophy) in the Scottish Community Drama Association's One Act Play Festival, Edinburgh, 2020 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Characters written as 2m, 2F, but can be played by any combination with permissible tweaks to names and pronouns. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A witty one-act comedy with funny characters and plenty of action. Set on a beach, furnished with rocks and (not necessarily visibly) sand! |
| Synopsis | Angela gets stuck in quicksand while walking along the beach. Her friend Brian helpfully explains the physics of thixotropy, but can’t think of a way to get her out. Deirdre and Colin pass by and are recruited into the rescue, but are more interested in a nearby black-throated diver. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Tony and Bee-ing Cleopatra by Fiona Scott Patrick |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Lindsay is dressed in a bumble bee costume with a Cleopatra wig. (Just in case you need a hint about the provenance of the strange title.) The cast includes four numbered tourists. Others might drift through! |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute character-driven play, minimal set. (I realise that the residents of Edinburgh might be offended by the description of one of their streets as minimal, but it doesn't need to be a realistic set!) |
| Synopsis | Lindsay is handing out flyers for her show at the Edinburgh Fringe, but she feels she's too old to be there - she's a serious actress. Then she meets Tony, a little drunk and recently dumped by her boyfriend, and the pair find a new enthusiasm for acting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Towards the Light by Judith Ezekiel |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | One popular song suggested for diegetic use throughout the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act supernatural drama on a single set. |
| Synopsis | Twenty-year old Neil has given Poppy, a teenage runaway, shelter in his London flat. But Poppy senses the ghostly presence of a previous tenant and calls in a medium to exorcise the property. No-one quite realises the potency of Letitia, a heartbroken older spirit seeking reconciliation with her long-lost daughter. Love, laughter and dance bring in a final understanding between the two worlds and herald optimism for the future. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Trapped In The Web by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play comprising four monologues. Minimal set - mainly chairs and computers! |
| Synopsis | Four characters whose common denominator is their addiction to their computers and the Internet - though they have very different reasons for their habit. Ultimately it is a play about individuals caught up in their own world - at times a world far removed from reality. With touching and at the same time comic stories to tell, ex rugby player Tom, reality TV forum fan Pam, E-Bay addict Susie, and dating site enthusiast Brenda keep us engrossed in their individual experiences on the web. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Trifle Unwell by Jane Lockyer Willis |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set. Difficult to categorise, but plenty of scope for characterisation. Contains mild swearing. |
| Synopsis | Jo's hiding from the rest of the party out on the stairs, but she's disturbed by Flora, who's escaping with the trifle. The pair meet Phil, who shouldn't really be there and then the hostess comes along to ask some searching questions. A light drama with added custard and sherry. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Turing Test by Stuart Ardern |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Three principal females. The cafe manager, carer and social services manager could be male or female and could be played by one actor. Equally, the carer could be played by two actors, each taking a scene. |
| Run Time | Around 49 minutes. [Estimated!] |
| Music | None. |
| Style | An emotional one-act drama in which a family confronts dementia.. (Could be staged with just furniture, making it a good festival piece.) |
| Synopsis | Alison Grove, an artificial Inteligence researcher, is struggling to cope with her mother's Alzheimer's disease when she should be focused on the question of whether machines are capable of rational thought. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| UFO Hotline by John Passadino |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. Two on-stage characters and three offstage voices, two of which might be recorded (Ellen would be better live). |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short sketch with two possible endings. |
| Synopsis | Ron and Grace's second date is going well until a flying saucer lands nearby and the occupant begins to approach them. Attempts to call for help see them redirected to the UFO Hotline, which is not as useful as they'd hoped. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Have To Talk by Don Lowry |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. If the three scenes were to be played separately, the three couples could be played by the same pair of actors with changes of costume and style. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short play comprising three short sketches on one theme. Written to be played continuously, but the three could be spaced out through an evening of short pieces. No set, so could be played front-of-curtain. |
| Synopsis | Three relationships have reached the point where the couples need to talk. It's curtains for two pairs, but the third might just make it... even if it's for the strangest of reasons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| When The Hurly-Burly's Done by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Male cameo - offstage voice - could be pre-recorded. |
| Run Time | Around 17 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedic play, with a 'blasted heath' setting. |
| Synopsis | Three very familiar hags are gathered around a cauldron on a blasted heath, but a certain Thane is running late. The ladies discuss their options and possible plans, before finally getting down to the business of the night. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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