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| A Forty-Minute All's Well That Ends Well by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 10. Minimum Female roles = 6. Minimum total with doubling = 16. Minimum total without doubling = 22. Chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'All's Well That Ends Well', with the original text cut down to 40 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Following the death of the Count of Rousillon, his teenage son, Bertrand inherts his estate and departs for the French court with dreams of military glory. He leaves behind Helena, daughter of his father's physician, and desparately in love with Bertrand. Helena follows Betrand to Paris where she uses her father's medicines to cure the sick king. The king grants her a reward, and she claims marriage to Bertrand. He wants none of it, and heads off to war. How can Helena win him back? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Forty-Minute Pericles by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 10. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 40. Chorus. The episodic nature of the story makes lots of doubling possible. (Or, if you have a lot of actors, there are lots of roles.) |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Pericles, Prince of Tyre', with the original text cut down to 40 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | On the run from the King of Antioch, Pericles is shipwrecked and washes up on the shores of Pentapolis. There he wins the hand of Thaisa, daughter of the King of Pentapolis. On their return voyage to Tyre, Thaisa gives birth to a daughter during a violent storm. Thaisa is thought to have died and is thrown overboard in a casket. The grieving Pericles leaves his daughter, Marina, in the care of the King and Queen of Tarsus. Years later, Pericles returns to seek Marina , but is told that she died. In fact she escaped an assasination plot, and eventually Pericles finds a happy ending.
Bill Tordoff started this series as abridgements for primary schools. We think that some of the themes in Pericles are too adult for that demographic! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Forty-Minute Winter's Tale by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 9. Minimum Female roles = 6. Minimum total with doubling = 15. Minimum total without doubling = 28. Chorus. The characters are adults plus one child and, famously, a bear, whose only role is to exit in pursuit of Antigonus (for an offstage lunch appointment - although only one of the parties is hungry.) |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'The Winter's Tale', with the original text cut down to 40 minutes.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Leontes, King of Sicilia, suspects his wife Hermione of having an affair with Polixenes, the King of Bohemia. (Herminone and Polixenes are innocent.) Polixenes escapes Leontes' wrath, but Hermione does not and is imprisoned. Hermione gives birth to a daughter, but Leontes does not believe the child, Perdita, to be his and sends her abroad. She is abandoned on the coast of Bohemia (a feat which would be frowned upon these days, owing to Geography) and Perdita is brought-up by a Shepherd. Time (making a guest appearance) moves the play on sixteen years, and Florizel, son of Polixenes, meets and falls in love with Perdita, the shepherdess, thus setting-up the inevitable reconcilliation and happy ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Heksejag by S. Ardern (vertaal deur Ronèl de Beer) |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. Minimum mansrolle = 4. Minimum vrouerolle = 2. Minimum totaal met doeblering = 12. Minimum totaal sonder doeblering = 14. Koor. Alle karakters is volwassenes, maar die teks is geskryf vir tieners. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | 'n Eenakter met basiese rekwisiete en geen dekorvereistes nie. Baie koorwerk. |
| Synopsis | Wanneer 'n ou tannie in haar gehuggie intrek, word sy eers met vyandigheid begroet. Mettertyd veroorsaak haar kennis van natuurlike medisyne egter dat sy die gemeenskap se respek wen. Die moeilikheid begin wanneer siektes en hongersnood uitbreek en die ou tannie van heksery beskuldig word. (Heksejag is an Afrikaans translation of Witch Hunt by Stuart Ardern.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| I Love You When It's Raining, Roy G Biv by Martin R. Collin |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 14. Chorus. The chorus covers a school class, a choir and a funeral congregation, so very flexible numbers!
The structure of the story implies a mixture of adults and children, but of course it could be performed by a youth company. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | A couple of public domain songs are suggested for use in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play with various simple settings. |
| Synopsis | Roy is that inspirational teacher everyone remembers. He arrives at a small school in Ohio and immediately makes a mark on every pupil he comes into contact with. His death is sudden and unexpected but his spirit lives on as his pupils move into adulthood. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Journey To The End Of The Rainbow by Sian Nixon |
| Roles | Minimum Male roles = 8. Minimum Female roles = 7. Minimum total with doubling = 15. Minimum total without doubling = 30. Chorus. Additional cast members can be included in the non-speaking roles. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A family fantasy show with colourful settings. |
| Synopsis | Young Lenita's quest to find the end of the rainbow is prompted by her family's poverty. Her fantasy journey through the colours of the rainbow takes her through various lands and dangerous adventures, ultimately fulfilling her dreams. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Lady or the Tiger by Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 13. Minimum total without doubling = 15. Chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play adapted from Frank Stockton's short story. Simple props. |
| Synopsis | The Princess's lover is on trial for his life. She can save him from certain death, but would the alternative be worse? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Love by John Collings |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. The chorus of dancers is optional. |
| Run Time | Around 44 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act romantic comedy drama with a single multi-functional set. |
| Synopsis | A young girl dreams of finding real love and breaking away from her dominant mother. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Magdalen Whitewash by Valerie Goodwin |
| Roles | Minimum Male roles = 2. Minimum Female roles = 11. Minimum total with doubling = 13. Minimum total without doubling = 21. Chorus. Optional female chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Multiple locations, but simple set requirements, with main scenes played on the full stage and smaller scenes downstage with a few pieces of furniture. |
| Synopsis | In 1946, teenage Nancy tracks down her birth mother Mary to one of the many 'Magdalen laundries' set up in Ireland to house women shunned by society for unmarried pregnancies. But why doesn't Mary want to leave with Nancy? Sixteen years earlier, during Mary's first days at the laundry, she and the other women deal with isolation, pregnancies, and mistreatment from the nuns and priests. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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