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Addiction by John Passadino |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | Dark, dramatic monologue. Minimal set. (US English.) |
Synopsis | Matthew talks to his wife, admitting his shortcomings as a partner and husband, but is finally overcome by rage. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Best Served Cold by Alan Robinson |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Reginald is described as being in his twilight years and should give the impression of being - how shall we put this? - well padded. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Ten minute play for a gastronome. Set simply a table, chair and napkin. |
Synopsis | In this bitter sweet monologue we have all the ingredients of an enthralling menu with a delicious twist for dessert. As food critic Reginald assesses another average meal, something has left a bad taste in his mouth - a taste that triggers memories of a sweet love, a bitter betrayal and a sour revenge. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Christmas Carol In 60 Minutes Or Less! by Martin Prest |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 29. No chorus. Various doubling alternatives suggested in the Producer's copy of the script. |
Run Time | Around 51 minutes. [Estimated!] |
Music | None. |
Style | A one act play in various settings. |
Synopsis | Staying as true to the original Dickens story as time allows, it unfolds neatly through narration and action. Originally published in 2014, revised edition published September 2017. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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De-Friend by Shari Gledhill |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | A 15-minute monologue with an insightful and humourous take on social media addiction, leading to a nicely grim punchline. |
Synopsis | Brian is a middle-aged man trying to navigate the world of social media. His mood turns from enthusiastic to thrilled to devastated. Someone has de-friended him and he is desperate to work out who it is. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Digging up the Past by Chris Hicks |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | A ten-minute dramatic monologue (featuring some black comedy). |
Synopsis | A building site manager struggles to cope when a body is discovered on school playing fields. When archaeologists turn up to excavate a Saxon burial ground, things take a turn for the worse. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Fisherman by Archie Wilson |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 19 minutes. [Estimated!] |
Music | None. |
Style | A lengthy monologue with no set required. |
Synopsis | The life of an East Coast fisherman, before and after the Second World War, is related in an evocative monologue. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Hearts and Minds by E. C. Chapman |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 11 minutes. [Estimated!] |
Music | None. |
Style | Monologue, set in a Northern Irish kitchen. |
Synopsis | Ulsterman Michael grew up in the Troubles and fears his beloved Belfast has failed to learn the lessons of the past. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Merry Christmas Fritz by Geoff Parker |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | One-act dramatic monologue set in a World War One hospital. |
Synopsis | A soldier, seriously wounded in the early part of the Great War, relates the horrific experiences which brought him to his hospital bed and his hopes for the future, sadly to be thwarted by events to come. (The dramatisation allows Tommy to know a little more about the details of the strategy of the First World War generals than he would have known, but not as much as we know with hindsight.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Nothing Is What It Seems by Martyn Chapman |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | A dark, dramatic monologue, and a challenge for an actor. |
Synopsis | He looks like a rough sleeper, but the man on the bench warns the audience not to make assumptions. He could be a police officer, working undercover. Or his story could be much darker and more tragic. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Oxford English Destiny by Gill Medway |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 8 minutes. [Estimated!] |
Music | None. |
Style | Short prose monologue - charm and pathos rather than outright comedy. |
Synopsis | Elderly Robert reminisces about a 'funny old game' he’s played on and off throughout his life, in which a word chosen at random from the dictionary determines one's destiny. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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