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An Ice Mess You Got Me Into by Ray Lawrence |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Erm, an Iceberg! |
Run Time | Around 4 minutes. [Estimated!] |
Music | None. |
Style | Monologue. No set, no props. |
Synopsis | An iceberg complains about the unexpected results of being struck by a certain liner in 1912. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Lay Your Cards on the Table by Cheryl Barrett |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 4 minutes. [Estimated!] |
Music | None. |
Style | Monologue for an injured sportsman. Minimal set (a lap-top computer with some means of support). A tender mixture of comedy and pathos. |
Synopsis | Wheelchair-bound former rugby player Tom has been surfing the web to keep himself occupied since his accident and has developed an interesting income stream. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Merry Christmas Fritz by Geoff Parker |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | One-act dramatic monologue set in a World War One hospital. |
Synopsis | A soldier, seriously wounded in the early part of the Great War, relates the horrific experiences which brought him to his hospital bed and his hopes for the future, sadly to be thwarted by events to come. (The dramatisation allows Tommy to know a little more about the details of the strategy of the First World War generals than he would have known, but not as much as we know with hindsight.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Miracle Worker by Tony Benge |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | Monologue for a reprobate. No set requirements (though anything to indicate a pop festival would be a bonus). Contains bad language (and good language) and descriptions of inadvisable behaviour. |
Synopsis | You can't help liking Pete Bristol, the miracle worker of the title in this breathtakingly fast moving monologue. The resourceful rogue finds himself ticketless at a pop festival - not his fault of course, his mates Badger and Wilbur let him down - and his initiative kicks in as he evades and outwits security man Dave to go from freelance toilet attendant to miracle worker. We not only learn about Pete and his deprived home life with his Nan (the best cheese and pickle doorstep maker in the South West) but are also given a vivid insight into the goings on at pop festivals. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Nothing Is What It Seems by Martyn Chapman |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | A dark, dramatic monologue, and a challenge for an actor. |
Synopsis | He looks like a rough sleeper, but the man on the bench warns the audience not to make assumptions. He could be a police officer, working undercover. Or his story could be much darker and more tragic. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Nuisance Call by David Dean |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 4 minutes. [Estimated!] |
Music | None. |
Style | A short comic monologue with minimal set requirements. |
Synopsis | A medieval phone help line is offering advice and comfort to victims of the plague. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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On Stage With Shirley Bassey by Janice Sampson |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. One man and his urn. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Short monody (a monologue with a little action and a few simple props) for a dutiful middle-aged son. Contains mild swearing. |
Synopsis | In this hilarious, and at times touching monologue we meet David who has come to sort out his recently deceased mother's bungalow. The most difficult part of his task is to deal with Mum's vast collection of Shirley Bassey memorabilia and even more difficult, though he won't admit it, to deal with his bereavement and say goodbye to his mother. Much to the embarrassment and annoyance of wife, Brenda he carries Mum's ashes around with him and is going through the process of taking Mum to all her favourite places. The final location he thinks of is Mum's ultimate dream - but will Shirley agree? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Oxford English Destiny by Gill Medway |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 8 minutes. [Estimated!] |
Music | None. |
Style | Short prose monologue - charm and pathos rather than outright comedy. |
Synopsis | Elderly Robert reminisces about a 'funny old game' he’s played on and off throughout his life, in which a word chosen at random from the dictionary determines one's destiny. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Pilot's Thoughts at the End of the War by Philippa Roberts |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Whilst this is a monologue, there is an option for a group of mournful dancers. |
Run Time | Around 5 minutes. [Estimated!] |
Music | None. |
Style | Five minute serious monologue with no set or prop requirements. |
Synopsis | The war in question is the Second World War, and the pilot is regretting participating in the bombing of Dresden. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Saint Nicholas and the Three Purses of Gold by Timothy Hallett and Nicholas Richards |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 9. Chorus. Technically, there are no characters - that is to say, it could be sung by a soloist. In practice, the intention is for the singing to be shared between several narrators and a chorus whilst the story is mimed by actors. |
Run Time | Around 12 minutes. [Estimated!] |
Music | The Producer's Copy of the script comes with a complete piano and vocal score. |
Style | A sung story. (Technically, that makes it a Cantata, but don't let the fancy name put you off!) Does not require any set or props, but props could be used as part of a mime of the story. |
Synopsis | Where does our modern Santa Claus come from? He's descended from legends of Saint Nicholas, the fourth century Bishop of Myra - legends such as this one! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show
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Click here to read the script or Click here for more details. |
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