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| Scene Six by Andrew McGuirk |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. The 'director' is an offstage voice and could be doubled by 'David'. The characters appear in a flashback as their childhood selves. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | Character drama with plenty of acting challenges. Structured in two acts, but, at around 55 minutes, of one-act length. (Includes some swearing.) |
| Synopsis | Two old friends and a new acquaintance decide to put on a play, but the assigned parts, emotional attachments, and the ruthlessness of the director cause rifts between the three. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Second Thoughts by Colin Calvert |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. (The max. and min. numbers depend on whether the production follows the author's intention and uses a quartet of four female singers to punctuate the action. There are also a few lines addressed to passers-by who might or might not appear on stage.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single minimalist set - a bus stop. Few props. A study of an attempted mid-life affair. |
| Synopsis | Harold is waiting at the appointed spot, a bus shelter, for a meeting with his old school friend Patti, and wondering if he's up to having an affair, if that's even what's on offer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sharing by Bob Tucker |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, single interior set. Furniture includes a collapsing chair (great fun for the set designer!) |
| Synopsis | Chris the suave estate agent thinks he's on to a good thing when wet and weedy Jake brings the gorgeous Holly in to buy a house. They're clearly not suited, and he makes his move to split them up. Jake is paired off with Chris's soon-to-be ex-wife and leaves, but then Holly has some surprising revelations for Chris. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shift Change by Terry McFadden |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in which the three characters engage in witty and insightful conversation to tell us their stories with comedy and pathos. Single (American) bar setting. Contains mild swearing. |
| Synopsis | What do you get when you mix one-part disenchanted tomboy waitress who just dumped her loser boyfriend, one-part overly pontificating know-it-all seasoned bartender, and one-part recently jilted blue-collar droop who just isn't doing well with the ladies? You get the situation at shift-change at Shannahann's Pub. A light-hearted take on bar culture and protocol, where Gregg, fresh from a breakup, receives hilarious coaching on the art of picking up women from the garrulous barkeep, Pete. While he's more bemused than bolstered, his intended departure is halted when he encounters the pub's beautiful, hard-nosed waitress Vicki, who, after some coy, heated banter, provides him with a simpler solution to his romantic problem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Spy With A View by Robert Scott
The Maidenhead Drama Guild (UK) won Best Comedy and came 2nd in the Open Class at the Maidenhead Drama Festival. (2019) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Paulo is written male but could be reassigned. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy thriller with a single hotel room set.. Contains mild swearing. |
| Synopsis | David and Vicky are on holiday, but the weather has trapped them in their hotel room. The monotony is broken by the delivery of a mysterious briefcase, with a recording that self-destructs! Where's the real spy? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| The Swan Queen by Frank Canino |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 3. No chorus. There is one speaking voice, Lenore. She addresses the audience as a friend, but also addresses two other people (1M, 1F) who might appear on stage. There is also an option for a group of male dancers. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | Two pieces (associated with classical ballet) are suggested as accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Powerful, brilliantly-written one act play. Single set with simple furniture representing multiple locations. |
| Synopsis | A former Prima Ballerina navigates the final months of her life, balancing her health concerns with those of her stepson, an artist with AIDS. Despite some stark differences at first, the pair find common ground and become allies as they each cope with their diagnoses. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Visitor by Dean Laccohee |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set (a psychiatrist's office), simple props. A play with things to say about seizing the moment, and about our reactions to hardship and suffering. |
| Synopsis | A patient gives his psychiatrist a few problems by claiming to come from a distant planet. His belief can't be shaken, and worse, he says the world is going to end very soon. Will Dr Collinghurst accept his offer of a ride on his spaceship, or at least ask Nurse Elizabeth out before Doomsday? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Wait... What? by Ted Evans |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Two (male) characters appear on stage, one of them only briefly. Two male and two female characters appear on a video shown on the stage. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, almost a monologue, in the style of a disjointed presentation. Some educational content about Attention Deficit Disorder. Includes opportunities for improvisation. Contains mild swearing |
| Synopsis | An Attention Deficit Disorder sufferer talks about his experiences with a new wonder-drug and ADD in general, but ends up saying a little too much for the drug manufacturer's liking. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Welcome Home by Roger Lee |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act drama, with a single setting and some strong language. |
| Synopsis | Jimmy is finally out of prison, having served twenty years for murdering his wife's lover. He returns to his old house to face his son, where he expects and receives a hostile reception. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| When We Were Young by Allan Williams |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama (with minimum staging requirements) set in World War One. |
| Synopsis | Six monologues from three different characters, set during the First World War. Two soldiers who were childhood friends, recound their wartime experiences, as does a nurse who meets one of the men when he becomes one of the many casualties of the Great War |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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