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| The Code Breakers of Bletchley Park by TLC Creative |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The Three characters are written male, but they could easily be played from the distaff side. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Tthree short sketches from the 'Skitskrieg' Second-World-War revue show by TLC Creative. (This sketch written by David Lovesy and Steve Clark.) They could either be played continuously (as three scenes) or split up across an evening of sketches. |
| Synopsis | A celebration of the great technological breakthroughs by the boffins of Bletchley Park (and where they inevitably led). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Coffee Shop by Ray Lawrence |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. Whilst the script specifies three characters, two of them are played in different eras, so could be done by different actors. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch. Set in a coffee shop, but without need for any particular set.
Also available as part of the Diamond Jubilee 2012 collection. |
| Synopsis | A coffee shop customer has another encounter with the tyranny of choice! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Cold Blooded Killer by Geoff Rose-Michael
Won the New Writing Award at the Leatherhead Drama Festival, 2013. (Also received nominations for best actor and best actress.) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. Characters include one mysterious figure (non-speaking) and two female voices which might well be recorded. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | One-act thriller, single set.
First published 2014, revised 2018. |
| Synopsis | Recently widowed Jack disturbs Becky, an intruder, and is shocked by how much she resembles his late wife, who died along with her mother in mysterious circumstances. Jack attempts to persuade Becky to impersonate his wife, to inherit the fortune of her mother. Their web of deceit becomes progressively tangled culminating in a shocking ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Coming Home by Roger Woodcock |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The main characters are an aged father and his son. The Tea Lady is a very brief cameo. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play, set in a private room in a nursing home. (Which could be indicated with the minimum of detail.) Contains mild swearing. |
| Synopsis | Barry's Dad is in hospital, his mind slipping back and forth through time. Barry needs him to sign some forms, but he can't help but be interested in spectres from the past that he's not heard of before. Until one secret catches him by surprise and changes everything. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Corner Property by Iris Winston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. All three characters are written male. The character with the pack would be the easiest to change. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play. Single set (with no requirements - could easily be played front-of-curtain. Contains swearing. |
| Synopsis | Joe and Peter, two former soldiers, beg for change on a street corner and watch the world pass them by - whilst underneath, there's a power struggle going on. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Cowboy by Damian Trasler |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The mugger is probably male, but need not be. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | Very silly comedy sketch. No set requirements, but does require a singular costume. |
| Synopsis | A rather unconventional super hero vigilante stops a mugger. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Crime by Janet S. Tiger |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Christine is written female, but could become a male Chris at the discretion of a production |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama consisting of three connected monologues. |
| Synopsis | Three people talk about their connections to the same killings. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dad's Revenge by Archie Wilson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch, single set (a living-room indicated by the presence of an armchair), simple props. |
| Synopsis | Natalie is sixteen and trying hard to drive her Dad round the bend. She wants him to drive her and her boyfriend out for their night's clubbing, but can he put a stop to it? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Date Night by Dana Davies |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy, with adult language and mature themes. |
| Synopsis | Liam has hired Robert to kidnap his wife for a night of kinky passion, and to film it all for posterity. The only problem is, when the hood comes off, it’s not Liam’s wife handcuffed to the bed! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Dating Circus by Robin Fusco |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Simple-to-stage, short one-act comedy. American English. |
| Synopsis | Showman and dating expert P.T. Bailey teaches the audience how to make a first date successful. He guides hapless volunteer Gary through a mock date with his glamorous assistant Veronica. But Veronica becomes more attracted to the true Gary than P.T. intended, and has her own take on how to date. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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