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| Language Lessons by Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 23. No chorus. There are two consistent characters throughout (plus an offstage voice). The rest are brought on for each 'lesson' so the 'Englishman' could be played by a different character in each scene (and need not be male). |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Prologue and eleven short comedy skits with no requirements for set. Could be done as written (one continuous performance) or could be split across a sketch show as a running gag. (Contains caricatures, silly accents and foreign words!) |
| Synopsis | Polly and Glott present an informative (and amusing) look into the necessity for having some skill with a foreign tongue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Last Duchess by Iris Winston
Won first prize in the Ottawa Little Theatre National Playwriting Competition. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short stage adaptation of Robert Browning's poem, My Last Duchess. |
| Synopsis | The spirit of a murdered wife steps from her portrait to try and warn the next fiancée of the fate that awaits her. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Lift Routine by Carol Roberts |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage characters plus an off-stage voice (which might be recorded, but interacts with the on-stage characters). |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A challenging piece to stretch the actors, suitable for companies of all types. |
| Synopsis | A thought-provoking short sketch set in a lift which breaks down, stranding a troubled married couple, a flirtatious young girl and a silent mystery man. They all deal with the situation in their own ways. Tensions rise and characters are revealed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lions Versus Elephants by Graham Dillistone |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. 4 onstage characters (2M, 2F), plus 5 (2M, 3F) who are voice only and may be pre-recorded. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length comedy, presented as three acts, on a single (living room) set. |
| Synopsis | Bernard follows the book 'Man is a lion, woman is an elephant', but his dinner guests Gerald, Ann and Peggy will test his beliefs. Gerald and Ann’s marriage falls apart, Peggy preys on both men, and Bernard misses the simple life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Little Momma’s Ristorante by Paul L. Harwood |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single set. An enjoyably weird story which builds up entertainingly to a satisfying ending. (US English.) |
| Synopsis | Leo has finally plucked up the courage to ask Kay to marry him, but first he must introduce her to - and get the approval of - his Momma. The problem is, Momma is a pile of ashes in a wine bottle, and when the bottle is unable to communicate approval, Kay must come up with a plan to convince Leo it’s okay. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Load of Rubbish - Small Cast Musical by Sue Gordon |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 5. No chorus. The script is structured so that the five characters can be played by two actors. The characters are inanimate objects, so gender is flexible, though the script assumes, for some reason, that the beer can is male and the perfume box is female! |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | Piano and vocal scores for eight original songs are supplied with the Producer's copy of the script. |
| Style | One-act musical for a small cast (designed to be played by an adult touring company to school audiences) |
| Synopsis | Life on an overspill rubbish dump takes a philosophical turn, with items of garbage asking 'why are we here?' - and making a song and dance about it! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** Soundtrack CD - vocal performances of songs from the show
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| Click here to read the script or Click here for more details. |
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| Love and Marriage by Tony Domaille |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of four ten-minute comedies. (No sets, a few props.) |
| Synopsis | Four couples (supplimented, in one case, by a clergyman) address or reveal their approach to their relationships. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Love Is Blind by Andrew Bawn |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. 1 necessary gender non-specific character and 2 or more optional characters. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch on a simple set. |
| Synopsis | Gary and April meet on a blind date in a restaurant. There is an age gap between them, and they quickly realise they are not well matched. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Love Me Tender by Roger Woodcock |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | Four Elvis Presley songs are suggested, to be sung by character within the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act drama with a mix of comedy and pathos. A single kitchen setting. |
| Synopsis | In an economic downturn, a fish and chip shop owner and his wife can't decide whether to stay open or move to Spain, while their part-time potato peeler Billy happily sings Elvis songs and dreams of what's under Olga Pike's duffle coat. A tragedy will turn all their lives upside down. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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