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Hologram by Jonathan Edgington
Selected for and performed at DK Delight Production's DELIGHT NIGHT 2 playwriting festival in London in 2019. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | The producer's copy of the script suggests one piece of incidental music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A very short play set at a bar in a restaurant. |
| Synopsis | Pensioners William and Barbara are on a blind date. Things are a little frosty until William demonstrates a new app on his phone which gives them a glimpse of their past - or is it their future? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Home, Sweet Home by Adam Croft |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and an off-stage voice. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in two acts in a single living-room setting. Contains (appropriately) strong language. |
| Synopsis | Richard and wife Claire act as Samaritans as they give homeless Boz a bed for the night in their garage. Their act of kindness rebounds as Boz gradually makes himself at home and Claire is left with a life changing dilemma. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Honorable Knight by Stewart Boston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Nothing remarkable in the characters (apart from the dragon, obviously). |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A light comedy, playing on the traditions of the knightly stories. Split-stage set, with one permanent location and the other half of the stage doubling for two other locations. |
| Synopsis | Before leaving his castle for the last time, Sir Gawain of the renowned Round Table reluctantly reveals a tale of his exploits that shows him in a less than favourable light. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Horseplay by Graham Jones
The precursor full-length version of this play won the Drama Association of Wales playwriting competition in 1980. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Compelling one-act drama. Single set - just a committee room table and chairs. Contains adult themes. |
| Synopsis | After a post-match celebration, three rugby players are accused of raping a girl. Through the old boys' network, the matter is dropped, but the club barmaid won't let it rest. Thanks to her persistence, one of the other members starts to see things in a different light too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hot and Sweet by Liz Dobson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single domestic set. |
| Synopsis | Janet is trying to persuade her mother Ivy, who is suffering from the first stages of Alzheimer's, to come and live with her. Janet's concerns are increased when she hears about a con man operating in the area. Ivy refuses to consider her daughter's request, stating that her late husband Harry will protect her. Janet responds by saying to her mother, 'He can’t look after you if he's not here'... but can he? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| How On Earth by Patricia Gay |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A fifteen minute sketch for four actors. |
| Synopsis | How (short for Howard) has been told by his mum that he was given to her by a celestial being. Now, the workman building the house extension reveals that the greater power in question actually works for The Opposition. How is left to consider his place in the astral conflict. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Remember When by Dawn Cairns |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Three on-stage characters plus four off-stage (including two children) who might be recorded. |
| Run Time | Around 44 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single camp-site setting. |
| Synopsis | John looks forward to re-visiting his childhood holiday campsite but his wife Sheila is not so sure, particularly when John insists his curmudgeonly mother come along too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I'm Famous by Anton Chekhov, adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two parents and their (late teens to young adult) children. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Five-minute play, adapted from the short story Joy by Anton Chekhov. Single set (an armchair), simple props. |
| Synopsis | Mitya comes home to his parents with the news that he is famous. They will soon discover why... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Illusion/Delusion by David Pollard |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of three one-act plays, all of which are also available separately. |
| Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Imperfect Speakers by Wally Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Gibson is written male but could, conceivably, be female. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short play - something of a political thriller. Simple set - the interpreters' booth at an international conference - which could even, at a pinch, be played front-of-curtain (though it requires a few small desks). Includes swearing. |
| Synopsis | Andy and Nigel are two old school friends reunited whilst translating at an international environmental summit. Nigel has always been a rabble-rouser but Andy and Ingrid, a German translator with a teddy bear, both realize that his responsibility as a diplomatic translator and his interest in politics overlap a little too keenly. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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