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| Doggy Noire by Jamie Hope |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. All the characters are animals. (All literally, some figuratively.) The characters are nominally 4M, 1F, but in the context, there's a lot of flexibility. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play in a single setting. Contains adult themes and language (although in the context of dogs, 'bitch' is not necessarily a term of abuse).
Noire as in 'bête noire' rather than 'film noir'. (No hard-boiled detectives.) |
| Synopsis | Bonzo the enforcer has brought Paulette the Poodle to the bridge, as arranged, but who is being set up for a fall? When Big Fido arrives, it turns out there may not be any winners, since the rats that come with him have grudges of their own. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Look Back by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | A drama of one-act play length (though structurally it's in three acts). Single domestic set. |
| Synopsis | A young couple, John and Suzan, stranded in a remote village cut off from the outside world by blizzards are given warm hospitality in her charming little cottage by seemingly kind old lady, Mrs Latham. It is gradually revealed that, in the past, her cottage was the scene of an unsolved murder in which she may have been involved and that intriguingly Suzan bears an uncanny resemblance to the victim. This gives the play the germ of a Gothic feel and sets the scene for an exciting, at times gripping and ultimately heart-warming tale. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gabriel-Ernest by Tony Best |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Either for a youth theatre company, or for a mix of adults and children. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act stage adaptation of a subversive Saki story - this one is edgy, verging on (gothic) horror. There are nine scenes, intended to be played seamlessley with the stage divided into one area for a house and one for all other scenes. |
| Synopsis | 'There's a beast in your woods.'
So it seems. Van Cheele's life is interrupted by the arrival of a strange boy, with disturbing behaviour and an unusual disregard for clothes.
(The author makes some suggestions about how to deal with this last point whilst remaining within the bounds of decency!) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Gardener's Tale by Mike Sparks |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Modern version of a medieval mystery play. One-act play, eight scenes, but no specific set requirements. A few simple props (including a wheelbarrow). |
| Synopsis | A gardener from Jerusalem tells her story of Holy Week and the odd bunch of characters she has run into. All of them have tales to tell about 'that Nazarene who's been causing so much trouble.' The story covers the time from Palm Sunday through to the burial of Jesus. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Generation Gap by Sheena Weitzel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short play. |
| Synopsis | Rachael's mum and dad are going out, leaving her to look after Grandad. She's not happy about that, or much else, but Grandad knows more than she thinks and they end up sorting a good deal out between them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Greatest Form of Flattery by Amelia Armande |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
| Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Handstands For You by Adam Exton |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. The characters are children, but could be played by children or adults. There are three characters, but two of them appear in some scenes as younger versions of themselves. (Either played by the same actors or by younger ones.) |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A touching and deftly-handled approach to the subject of childhood illness. Multiple settings, but does not need explicit sets. Contains mild swearing (which could be moderated if deemed in appropriate for a specific production). |
| Synopsis | When Billy was five, his best friend was Gemma, but she moved away. Now Billy's thirteen, he's got a new best friend in Ronald, but he also has leukaemia. Gemma moves back to the neighbourhood and the three have to find space for each other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Illusion/Delusion by David Pollard |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of three one-act plays, all of which are also available separately. |
| Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In One Form Or Another by Nikki Pontin |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Doctor could be played by m or f. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | The Producer's copy includes 3 suggested pieces of music, to add atmosphere for this play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act gothic thriller, with a living room setting and specific lighting effects. |
| Synopsis | Helen, Edward and their son have moved into their dream home, unaware of its history and the events which took place there. With increasing horror, Jacob seems to be the catalyst for the terrifying happenings - which Helen in particular is unable to deal with. As she relates events to a psychiatrist, the full horror becomes apparent. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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