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| Romeo and Juliet's Final Half Hour by Juliet Devon |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Performers either youth theatre or a mixture of adults and youth.
Our reviewer noted that the role of Romeo is a 'low-stress part' on account of him already being dead. |
| Run Time | Around 8 minutes. [Estimated!] The run time depends on the time Juliet takes to remember her lines. |
| Music | None. |
| Style | A short comedy sketch, set in a school hall (which need only be represented by a few items of furniture). |
| Synopsis | Nikki, the drama teacher, is determined to get through this last rehearsal with her principals from Romeo and Juliet, but Juliet can't remember the right lines - even the right play - and there are constant interruptions. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Run Out by Jamesine Cundell Walker |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. Two (female) characters are intended to be played by the same actress, and there is a further pair of characters that can be doubled. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | The Producer's script suggests music to be played at the end of Act 1. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full-length comedy drama with a single (hilltop bench) setting. |
| Synopsis | Malcolm and his wife Mavis have come to scatter his late mother’s ashes at her special place. Family tensions arise as they reminisce and question what made this place special for her. All is revealed as we are taken back to her young days in the 1950s. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Santa and Elf by John Furse |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Elf is written female but could be played by a male. The disembodied voice (making Post Office announcements) is assumed to be recorded. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play in a single (Post Office) set. |
| Synopsis | The Giggleton Post Office has to get a sack of mail off to the Sorting Office ASAP - it’s kids' letters to Santa. Little do they know that Santa himself is on hand to collect the sack, if his Elf assistant can stop causing traffic accidents! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sassenach by Ronnie Dykstra |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room). |
| Synopsis | When a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Scriptaholic by Billy Doyle |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. Chorus. In the author's draft of the script, the 'New Member' is male and the 'Group Leader' female, but there doesn't seem to be any necessity for this! |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | Very short comedy sketch with no specific requirements for set or props. |
| Synopsis | When a new member joins Scriptaholic, a support group for script writers who have lost sight of the boundaries between fantasy and reality, even the group leader finds him too far gone for help. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Second Thoughts by Colin Calvert |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. (The max. and min. numbers depend on whether the production follows the author's intention and uses a quartet of four female singers to punctuate the action. There are also a few lines addressed to passers-by who might or might not appear on stage.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single minimalist set - a bus stop. Few props. A study of an attempted mid-life affair. |
| Synopsis | Harold is waiting at the appointed spot, a bus shelter, for a meeting with his old school friend Patti, and wondering if he's up to having an affair, if that's even what's on offer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Senior Speed Date by Jeff Bray |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. One character is voice-only and can be voiced live or pre-recorded. |
| Run Time | Around 39 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (pub room) setting. |
| Synopsis | Recently separated from her husband, Joan has been persuaded by her daughter to attend a speed dating evening. She is confronted by a procession of highly unsuitable candidates. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shakespeare's Women by Jonathan Edgington |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Four on-stage characters plus four phone voices (which could be recordings). |
| Run Time | Around 13 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy play. |
| Synopsis | Best-selling author, acknowledged world authority on Shakespeare and totally irresistible to women, Herbie has the world at his feet. Or rather, he did, until three mysterious visitors arrive late at night with a mind-blowing offer... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shivers by Peter Harrison |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | None. |
| Style | Trilogy of one-act plays with a supernatural theme. Two interior sets plus the interior of an elevator cabin. A mixture of comedy and ghostly melodrama. |
| Synopsis | The three scripts - Falling Apart, All Hallows Eve and Knock Knock, Who's There? - are all available separately.
Whilst there is no set order to the plays, Falling Apart - with a couple trapped in a lift - might be performed front-of-curtain between the other two plays, which each require an interior setting with a practical window. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| So Long, Prince Charming by Molly McCluskey |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Max is written male, but the writer suggests that other interpretations would be possible. One of the female characters is a non-speaking cameo. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play. Genre? Well, George, the central character, wants this to be a romantic comedy, but Ingrid has other ideas. Single cafe setting. |
| Synopsis | George is a romantic, and determined to overcome Ingrid's reluctance with a muffin, his natural charm and a detailed explanation of his good points. Ingrid is in the cafe for the peace and quiet, but after a few minutes of George's company, she's ready to leave... with Max. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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