Lazy Bee Scripts
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All the scripts described below can be read in full on the Lazy Bee Scripts web site (click on the titles).
However, all the scripts on this site are copyrighted. They may not be printed, quoted or performed without the permission of Lazy Bee Scripts.
Click on the "Price" links for details of the script prices and licensing arrangements.

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Scripts 11 to 20 of 29
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In the Mood by Frank Gibbons
RolesMinimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus.
Run TimeAround 48 minutes. [Estimated!]
MusicNone.
StyleA one act comedy with a single (café) setting.
SynopsisJeanie's little café is struggling to survive and a pending family problem could easily prove to be the last straw. Also, her apparent reluctance to tackle issues such as poor hygiene, inferior cooking, power supply malfunctions and a mischievous deaf cat isn't helping the situation.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

The Innkeeper's Christmas by Mike Sparks
RolesMinimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. An Innkeeper tells us of the frantic time he and his staff have had during the Roman Census in Judea.
Run TimeAround 20 minutes. [Estimated!]
MusicNone.
StyleModern version of a medieval mystery play. Single, minimal set, basic props.
SynopsisAn Innkeeper tells us of the frantic time he and his staff have had during the Roman Census in Judea.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

The Letter by Larry Collins
RolesMinimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. One female character is voice-only.
Run TimeAround 50 minutes. [Estimated!]
MusicNone.
StyleOne-act drama on a single (headmaster's office) set.
SynopsisA teacher’s response to a student’s letter has raised some concerns, especially as it’s right before an Ofsted inspection. The Headmaster wants it handled discreetly, but properly, but there are more wrinkles than he knows.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

The Living Room by Clive David Lloyd Williams
RolesMinimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus.
Run TimeAround 54 minutes. [Estimated!]
MusicNone.
StyleOne-act drama of paranormal events in a single living room set (with two practical doors).
SynopsisAfter the death of Joe's wife, his neighbour Amy visits to give him support. This is followed by a series of unexplained events, with paranormal investigators who themselves fall prey to the events.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Lizzy's Ghost by Allan Williams
RolesMinimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Offstage voice of Lizzy could be pre-recorded.
Run TimeAround 25 minutes. [Estimated!]
MusicNone.
StyleA one act ghost story, with a single (bar) setting.
SynopsisOn a working holiday researching a book, author Joanne finds herself in an isolated village pub on Halloween. The locals give her astounding background, for a gripping tale of the past, in which they are intimately involved.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Murder at Dress Rehearsal by Paul Mathews
RolesMinimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus.
Run TimeAround 65 minutes. [Estimated!]
MusicNone.
StyleA one act play - about a play within a play, on a single stage set.
SynopsisThis plays on the known eccentricities of local theatre. Real life drama is causing tension on and offstage at the dress rehearsal for 'Ich Liebe Dich', the wartime play. But worse is to come, when someone switches the blank ammunition for live and the leading man dies on stage - for real!
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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The Necklace by Tony Best
Performance by Cheshire Academy of Performing Arts won best Youth Production and the Syd Mence cup for a piece of theatre magic at the Wilmslow Guild One Act play Festival, 2012
RolesMinimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 29. Chorus. There are two main roles, and a 'chorus of voices' playing all the other roles, thus the numbers are very flexible. The chorus members play specific roles but also act as a 'Greek Chorus' to comment on the story.
Run TimeAround 35 minutes. [Estimated!]
MusicNone.
StyleOne-act play based on a short story (a moral fable) by Guy de Maupassant. Written for a youth theatre production but could be performed by adults.
SynopsisMathilde is a vain, proud woman, who regrets that the she has been born into the humbler classes. She longs to be an aristocrat. Given her chance to shine, she borrows a stunning necklace, but that is the start of her woes.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

Parish Politics by Anne Graham
RolesMinimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus.
Run TimeAround 22 minutes. [Estimated!]
MusicNone.
StyleA one-act historical drama with various simple settings.
SynopsisIt is 1663. The Civil War may be over but personal battles are still being fought in this English village, whilst ever-harsher laws and severe punishments breed fear, greed and superstition. An illegitimate child born to a single mother is a potential burden on the parish, so apart from the loss of her good name, the mother faces a public thrashing, particularly when the new petty constable is driven by personal revenge.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

The Parking Lot by Peter Anthony Fields
RolesMinimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus.
Run TimeAround 25 minutes. [Estimated!]
MusicNone.
StyleAn easily staged and efficient drama that explores a few different themes. Likeable characters with believable dialogue.
SynopsisThree couples - a young woman and a young man, a mother and daughter, and a husband and wife - each experience a major moment of crisis in their lives while sitting in their cars at a (US) shopping mall parking lot.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

Playing Out by Gill Medway
RolesMinimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. 3 characters are children played by adults. 2 characters are offstage voices only, which can be pre-recorded.
Run TimeAround 20 minutes. [Estimated!]
MusicNone.
StyleA one-act drama with no set required.
SynopsisSusan Trent, a woman in her seventies, looks back on her childhood in post-war London, and the friends she loved - and hated. Her childish love for Stanley endures throughout her life, despite an early tragedy. And her intense rivalry with Stan's older sister, Sandra, will probably never be resolved. If we could meet our younger selves - just once - what would we say to them?
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.

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