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Gerri And The Atrics by Charles Alverson |
Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. One offstage voice, M or F |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | A short one act comedy. |
Synopsis | A group of entertainers nearing the end of their career prepare for yet another show, with friendly but sometimes barbed banter. This is interrupted not only by the call to go on stage, but the sudden death of one of their number. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Girls' Talk by Frank Gibbons |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 12. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A collection of six comedy sketches, each with a cast of two women. |
Synopsis | Sketches tackling the difficulties of office life, men, gossiping and more men. (Each of the sketches is available individually.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Going Places by Liz Dobson |
Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy, Single kitchen setting. |
Synopsis | We meet Melanie on the day that her divorce from Simon is to be finalised. The divorce resulted from Simon's affair with glamorous but vacuous Tulisa who is 15 years his junior and with whom he feels he can 'go places'. Melanie is not coping well with her emotions or her financial difficulties but has sterling support from both her mother and her friend Liz. However, things get a little fraught when Simon and Tulisa call round to claim some pictures from the marital home to help furnish their new pad. However, it turns out that Melanie has the last laugh... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Greatest Form of Flattery by Amelia Armande |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Heedless Spirits by Jenny Gilbert |
Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Characters are older teenagers or young adults. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act play for teenagers. Single, simple set, few props. Contains mild swearing. |
Synopsis | Six young people in a cinema, waiting for a film to start. Two were once an item and are trying to ignore each other. Two are attracted to each other, to the disdain of their friends. Two aren't sure why they're there. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Honorable Knight by Stewart Boston |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Nothing remarkable in the characters (apart from the dragon, obviously). |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A light comedy, playing on the traditions of the knightly stories. Split-stage set, with one permanent location and the other half of the stage doubling for two other locations. |
Synopsis | Before leaving his castle for the last time, Sir Gawain of the renowned Round Table reluctantly reveals a tale of his exploits that shows him in a less than favourable light. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus. Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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I Remember When by Dawn Cairns |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Three on-stage characters plus four off-stage (including two children) who might be recorded. |
Run Time | Around 44 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy in a single camp-site setting. |
Synopsis | John looks forward to re-visiting his childhood holiday campsite but his wife Sheila is not so sure, particularly when John insists his curmudgeonly mother come along too. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Illusion/Delusion by David Pollard |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | A collection of three one-act plays, all of which are also available separately. |
Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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In A Hole by Rupert Dick |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 100 minutes. [Estimated!] |
Music | None. |
Style | A fun and wildly unusual full-length play in two sets - one on the inside, looking out, and the second in the garden. |
Synopsis | Woody Woodward is mildly interested in why his neighbour has dug a huge hole in the back garden, but when he involves his friend Benny in the mystery, things get serious. Is it a grave? A bunker? The answer leads to more questions. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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