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| Hats Off! - The Musical by Sue Gordon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 9. Chorus. A nucleus of seven actors, backed by a chorus (with no size limitations) singing the songs. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | Sheet music for seven songs (original lyrics to Victorian period music) is supplied with the Producer's copy of the script. |
| Style | Musical for children (could also be staged by adults for kids). Whilst by length we would class this as a one-act play, it is split into two acts and an interval is advised so that the single set can be redressed to mark the passage of time! |
| Synopsis | Mrs. Green is the real driving force behind 'Barker's Bonnets' a milliner's shop in Victorian England. However, she faces unemployment when Mr. Barker sells up to emigrate. A secret scheme is hatched to allow her to continue - and to thrive in the modern world of the 1870s. (The script tells an engaging story whilst exploring the novelties, inventions and social nuances of the Victorian world. This would fit well with the English National Curriculum Key Stage 2 History Topic, 'The Victorians'.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| The Honorable Knight by Stewart Boston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Nothing remarkable in the characters (apart from the dragon, obviously). |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A light comedy, playing on the traditions of the knightly stories. Split-stage set, with one permanent location and the other half of the stage doubling for two other locations. |
| Synopsis | Before leaving his castle for the last time, Sir Gawain of the renowned Round Table reluctantly reveals a tale of his exploits that shows him in a less than favourable light. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| It's All Greek by Tony Domaille |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of short comedy plays featuring Ancient Greek heroes and god. A set of riffs on myths. |
| Synopsis | Five funny plays, each with a cast of two or three, Locations include Troy, Mount Olympus, the skies and a couple of unexpected Ancient Greek offices. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Kalifa's Amazing Adventures by Nikki Harmon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 17. No chorus. The lead character is a young elephant and various others are animals. These are supposed to be indicated by costumes props or masks, rather than being entirely realistic! (There's a photographic example on the script page.) |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | Full length play - a fable along the lines of the Just So stories or Brer Rabbit. Aimed at a young audience, but to be played by adults or teenagers. |
| Synopsis | The growing pains of an inquisitive young elephant, as she learns about the dangers of her environment and the value of friendship. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Knock, Knock, Knock by Bob Eccles
In a production by shiskine drama club, this script was awarded the Douglas Sillers Trophy in the Isle of arran drama association festival, February 2016 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. Seven on-stage characters and the offstage voice of a child. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play with a single domestic setting, where a seance is held. |
| Synopsis | Teddy has passed away and in an effort to be sure that he is happy Jacky recruits medium Petunia to perform a séance and contact him. Jacky's sceptical brother Fred joins in the fray determined to disrupt proceedings, as does gormless neighbour Fran who doesn't quite understand what is going on. Fraudster Petunia does her best to contact Teddy but is shocked to discover who he really was. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons by Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 23. No chorus. There are two consistent characters throughout (plus an offstage voice). The rest are brought on for each 'lesson' so the 'Englishman' could be played by a different character in each scene (and need not be male). |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Prologue and eleven short comedy skits with no requirements for set. Could be done as written (one continuous performance) or could be split across a sketch show as a running gag. (Contains caricatures, silly accents and foreign words!) |
| Synopsis | Polly and Glott present an informative (and amusing) look into the necessity for having some skill with a foreign tongue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Let Her Rip by Donna Brightwell |
| Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. In addition to the eight characters there are three off-stage voices. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy play set in the southern USA. Intended to be played with minimal sets. |
| Synopsis | Sixty-somethings behaving badly, when four ladies decide to have the wild time they've missed in the rest of their lives. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lions Versus Elephants by Graham Dillistone |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. 4 onstage characters (2M, 2F), plus 5 (2M, 3F) who are voice only and may be pre-recorded. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length comedy, presented as three acts, on a single (living room) set. |
| Synopsis | Bernard follows the book 'Man is a lion, woman is an elephant', but his dinner guests Gerald, Ann and Peggy will test his beliefs. Gerald and Ann’s marriage falls apart, Peggy preys on both men, and Bernard misses the simple life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Love and Marriage by Tony Domaille |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of four ten-minute comedies. (No sets, a few props.) |
| Synopsis | Four couples (supplimented, in one case, by a clergyman) address or reveal their approach to their relationships. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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