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A Load of Rubbish - Small Cast Musical by Sue Gordon |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 5. No chorus. The script is structured so that the five characters can be played by two actors. The characters are inanimate objects, so gender is flexible, though the script assumes, for some reason, that the beer can is male and the perfume box is female! |
Run Time | Around 60 minutes. [Estimated!] |
Music | Piano and vocal scores for eight original songs are supplied with the Producer's copy of the script. |
Style | One-act musical for a small cast (designed to be played by an adult touring company to school audiences) |
Synopsis | Life on an overspill rubbish dump takes a philosophical turn, with items of garbage asking 'why are we here?' - and making a song and dance about it! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show ** Soundtrack CD - vocal performances of songs from the show
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Love and Marriage by Tony Domaille |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | A collection of four ten-minute comedies. (No sets, a few props.) |
Synopsis | Four couples (supplimented, in one case, by a clergyman) address or reveal their approach to their relationships. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Mixer by Glyn Blakeborough |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 4. No chorus. The two main characters are of retirement age, but by no means decrepit! Two of the characters are voices on the phone, so could, conceivably, be recorded. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | Short one-act play, single set (in theory a domestic kitchen, but could easily be done in a 'black box' presentation). Walks a careful line of bittersweet tragic-comedy. Contains mild swearing. |
Synopsis | Peter and Edna have been waiting for three weeks for their bins to be emptied. Peter helps old Mrs Thorburn by putting her rubbish into the correct bins for collection, but it turns out he's been getting it wrong, and Mrs Thorburn is under threat of legal action... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Neville Report - Village of Fear by Gary Diamond, John Fryer & Ray Lawrence |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 8. No chorus. In theory, because it's a radio play, this could be done with a very small cast - Neville, the central character plus one other male and one female playing the rest of the characters. One of the characters - Harry the Leg - is purely a sound effect! |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act play - a comic pastiche of a 1950s radio drama intended for presentation as a staged radio play. |
Synopsis | A comedy radio play that pits intrepid reporter Neville Reville against the supernatural goings-on in Merry Waddle on the Weddle. Aided only by a leg in disguise, Neville braves the Portals of Hell (a pub), Lusty Wanda (a siren) and the evil Mordred to rescue Lady Purity! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Next Big Thing by David Titchener |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 38 minutes. [Estimated!] |
Music | None. |
Style | One-act play in a single (store-room or garage) setting. |
Synopsis | Eddie, Big Chris and Jono are tired of being small time criminals, but every attempt to make the step up to the big leagues has resulted in failure. But this time, Eddie thinks he's got it sorted. All they need are some pigeons. (The same characters appear in Flaming Liberty and I Now Pronounce You. The pieces are independent, but could be used together.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Nobbo by David Pollard |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | A one-act dark comedy with a single (backstage) setting. |
Synopsis | Ben and Jerry are the pantomime horse Nobbo. During the play's interval, amidst the mayhem of a missing dame, the two disagree on the future of their act. Their once-bright future has been reduced to what is to all appearances a failure. Ben wants out and has the golden opportunity of a legacy from his aunt. Jerry perversely cannot bring himself to quit and it becomes apparent that he closely identifies with Nobbo. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Right on Cue by Barry Lambert |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Roles are written as 2 male, 2 female, but all could be played as either. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy with a single (police office) setting. |
Synopsis | The Battersea Batterer is causing havoc for the understaffed local CID as he goes around the neighbourhood hitting people over the head with a billiard cue. The police are snookered at first but are assisted by a psychological profiler in solving the case. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Sassenach by Ronnie Dykstra |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director. |
Run Time | Around 34 minutes. [Estimated!] |
Music | None. |
Style | A spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room). |
Synopsis | When a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Second Thoughts by Colin Calvert |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. (The max. and min. numbers depend on whether the production follows the author's intention and uses a quartet of four female singers to punctuate the action. There are also a few lines addressed to passers-by who might or might not appear on stage.) |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single minimalist set - a bus stop. Few props. A study of an attempted mid-life affair. |
Synopsis | Harold is waiting at the appointed spot, a bus shelter, for a meeting with his old school friend Patti, and wondering if he's up to having an affair, if that's even what's on offer. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Source Of Denial by Damian Trasler |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | One-act play with a minimal set. A combination of comedy, serious argument and an exploration of the writing process. (Is that metadrama? Who knows?) |
Synopsis | Struggling to write a 'proper' play after years of comedies, a writer uses his favourite character to explore faith, proof and truth, only to end up learning more about himself than he expected. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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