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A Single Moment by Tony Domaille
Runner up UK Community Drama Festivals Federation Geoffrey Whitworth competition for Best Original Script, 2015 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a single (Betting Shop) setting. Part I of the author's 'Changes' trilogy. |
| Synopsis | Danny's gambling has finally brought him to rock bottom. He has lost everything and now finds himself in the bookmaker’s shop learning lessons from a bag lady and a bookmaker. Whilst salvation is offered from surprising sources, it is a single moment that saves him when his most unlikely bet is won because on 5th June 2009 snow fell across parts of the UK. |
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| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| The Soldiers' Tale by Mike Sparks |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Modern version of a medieval mystery play. Single, minimal set, basic props. |
| Synopsis | The events on Calvary discussed from the perspective of bystanders, including the soldiers who administered the crucifixion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Source Of Denial by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play with a minimal set. A combination of comedy, serious argument and an exploration of the writing process. (Is that metadrama? Who knows?) |
| Synopsis | Struggling to write a 'proper' play after years of comedies, a writer uses his favourite character to explore faith, proof and truth, only to end up learning more about himself than he expected. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Spoofing For Gordon by Duncan Battman |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 47 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, with two simple settings and some strong language. |
| Synopsis | Ten years ago, a group of friends entered an agreement binding them all to assisted suicide in the event that any of them became terminally ill. Gordon is now in that position, and the friends gather at his house and agonise over their pact. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Still Life by Karen Ankers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two adults and two teenage lads. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Simple (street) setting. Contains swearing (and poignancy.) |
| Synopsis | A moving, thought provoking one act play with a modern tale of two social misfits coming together and each, in their own way supporting the other. Jenny is lonely and frightened having had no social contact since her childhood, not having left the house she shares with her abusive father for over twenty years. She has suffered a final trauma at home and in her despair wanders the streets where she encounters Keith, a bitter unemployed alcoholic trying to eke a living as a street entertainer. As an uplifting, at first reluctant, relationship develops between them an optimistic chink throws light on their despondency. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Take Me To Your Leader by Caroline Spencer |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A short sketch, set in a school headteacher's office.
Part of the Aliens collection of short plays for youth people. |
| Synopsis | Mr Golightly has a strict rule for his school - there is no such thing as an Alien Being. Is his insistence on enforcing this rule a device to hide his own identity? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| The Tell-Tale Heart by Edgar Allan Poe adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Stage adaptation of Edgar Allan Poe's short (Gothic Horror) story. Single figurative set. |
| Synopsis | Lucas takes a homeless man into his home. Convinced the homeless man posesses 'the evil eye', Lucas waits until the dead of night and murders him. Driven mad by guilt and the memory of the evil eye, Lucas is haunted by the homeless man's heart, beating under the floorboards... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Territorial Actors by tlc Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 7. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute skit, no set requirements. Single prop (a field telephone) |
| Synopsis | A drill sergeant takes a set of rookie part-time actors through their paces. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Three Billy Goats Cyber by Richard L. Sanders |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A politically satirical take on the classic fairy tale. |
| Synopsis | Three Billy Goats discuss strategies to get past the troll under the bridge and munch the lovely grass on the other side. The use of present day cyber technologies becomes part of the scheming. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Tide is Coming In by Michael C. Appleby
Production by The Edinburgh Makars won First Prize (and the Edith Forbes Trophy) in the Scottish Community Drama Association's One Act Play Festival, Edinburgh, 2020 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Characters written as 2m, 2F, but can be played by any combination with permissible tweaks to names and pronouns. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A witty one-act comedy with funny characters and plenty of action. Set on a beach, furnished with rocks and (not necessarily visibly) sand! |
| Synopsis | Angela gets stuck in quicksand while walking along the beach. Her friend Brian helpfully explains the physics of thixotropy, but can’t think of a way to get her out. Deirdre and Colin pass by and are recruited into the rescue, but are more interested in a nearby black-throated diver. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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