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Sherlock's Excellent Adventure by James Barry
Best Seller |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | Sheet music for four original songs provided with the Producer's Copy of the Script. |
| Style | Parody of Sherlock Holmes stories, visual jokes, theatrical jokes, wordplay. Not strictly a pantomime, but has some of the elements (including Mrs. Hudson as a pantomime dame) and could fit in a slot in the panto season. |
| Synopsis | Lucy Matravers engages Holmes and Watson to resolve a dispute over a family will, bringing conflict with Holmes's arch enemy, Moriarty. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Source Of Denial by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play with a minimal set. A combination of comedy, serious argument and an exploration of the writing process. (Is that metadrama? Who knows?) |
| Synopsis | Struggling to write a 'proper' play after years of comedies, a writer uses his favourite character to explore faith, proof and truth, only to end up learning more about himself than he expected. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Territorial Actors by tlc Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 7. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute skit, no set requirements. Single prop (a field telephone) |
| Synopsis | A drill sergeant takes a set of rookie part-time actors through their paces. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Three Billy Goats Cyber by Richard L. Sanders |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A politically satirical take on the classic fairy tale. |
| Synopsis | Three Billy Goats discuss strategies to get past the troll under the bridge and munch the lovely grass on the other side. The use of present day cyber technologies becomes part of the scheming. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Tide is Coming In by Michael C. Appleby
Production by The Edinburgh Makars won First Prize (and the Edith Forbes Trophy) in the Scottish Community Drama Association's One Act Play Festival, Edinburgh, 2020 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Characters written as 2m, 2F, but can be played by any combination with permissible tweaks to names and pronouns. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A witty one-act comedy with funny characters and plenty of action. Set on a beach, furnished with rocks and (not necessarily visibly) sand! |
| Synopsis | Angela gets stuck in quicksand while walking along the beach. Her friend Brian helpfully explains the physics of thixotropy, but can’t think of a way to get her out. Deirdre and Colin pass by and are recruited into the rescue, but are more interested in a nearby black-throated diver. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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Tiny House by John Passadino
New |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Bernice is (male to female) transgender. How you cast this depends on your company. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | One-act in a single split-level set.. A comedy drama with a surreal edge. US English. |
| Synopsis | Three old friends are trying to get their lives back on track by returning to their days of sharing a house - in this case, a tiny house in the wilds of New York State. But lots of things have changed and the house is very tiny. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Barmen by Damian Trasler & David Lovesy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. The barmen are written male (as you might expect). The third characters is a duck. There are also two disembodied voices. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch, set in a bar (which can be a minimal set or as elaborate as you can justify for a four-minute piece). |
| Synopsis | You know the one where two men walk into a bar? Well, turns out it was this bar, where every baroom joke you've ever heard took place, along with quite a few you haven't heard.
A duck walks into a bar and says 'Have you got any bread?'... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Wait... What? by Ted Evans |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Two (male) characters appear on stage, one of them only briefly. Two male and two female characters appear on a video shown on the stage. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, almost a monologue, in the style of a disjointed presentation. Some educational content about Attention Deficit Disorder. Includes opportunities for improvisation. Contains mild swearing |
| Synopsis | An Attention Deficit Disorder sufferer talks about his experiences with a new wonder-drug and ADD in general, but ends up saying a little too much for the drug manufacturer's liking. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Have To Talk by Don Lowry |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. If the three scenes were to be played separately, the three couples could be played by the same pair of actors with changes of costume and style. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short play comprising three short sketches on one theme. Written to be played continuously, but the three could be spaced out through an evening of short pieces. No set, so could be played front-of-curtain. |
| Synopsis | Three relationships have reached the point where the couples need to talk. It's curtains for two pairs, but the third might just make it... even if it's for the strangest of reasons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Word with my Client by Barry Lambert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Although the sketch is written with four male roles, with just minor adjustments Bland and/or Bentazza could easily be played as female. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch set in a police interview room. |
| Synopsis | Detective Sergeant Hatchett has been assaulted whilst thwarting an attempted burglary and is about to interview the suspect along with his superior. The burglar has enlisted the help of a particularly slippery solicitor. Will he be able to convince the police of his highly dubious client's innocence? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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