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Tea With Mrs Pankhurst by Ruth Urquhart & James Douglas |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 19. No chorus. The minimum with doubling omits two non-speaking waitresses and has two actors playing the female principals and two playing the rest (both male and female roles). |
Run Time | Around 80 minutes. [Estimated!] |
Music | None. |
Style | Full-length play, designed to be played without a formal set. |
Synopsis | The stories of Emmeline Pankhurst and Selina Cooper are compared in an attempt to judge who gave most to the cause of votes for women. The story is told in flashback, with minimal sets and audience interaction, mostly in the cake-eating sense. An educational journey through the history of British Women's Suffrage. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Time Telescope by Kitty Harper |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Two pairs of roles are written to be doubled. |
Run Time | Around 15 minutes. [Estimated!] |
Music | A 1990s pop track is required as opening music. The producer's copy of the script gives a suggestion. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A short drama with a single (classroom) setting. |
Synopsis | Opposed to one another in their youth, Amy and Brian reminisce at their High School reunion and, in a time-slip sequence, relive a painful memory from the night of the leavers’ ball as they reflect on how their lives have turned out. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Tumor by Herb Hasler |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | Fifteen minute play, single set (the main requirement is a hospital bed). |
Synopsis | Mr Davidson is waiting for an operation when Bruce uses his hospital room as a place to hide. A few of Bruce's questions give Mr Davidson something other than surgery to think about, and when he wakes up minus his tumour, he has something unexpected to tell his wife. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Under the Hood by Damian Trasler |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | One-act drama (on the lower boundary of two-act length). Simple sets. |
Synopsis | Rose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Up, Up and Away by John Peel |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Voices by Peter Harrison 2012. Hale One-Act play festival. Winner Best Original play. Production by Altrincham Garrick. |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 16. No chorus. Designed for one principal character and four on-stage voices, though the voices could be allocated amongst a larger number of actors. The principal character is an old man, nevertheless, this could be played by a youth theatre company. |
Run Time | Around 33 minutes. [Estimated!] |
Music | The producer's copy of the script makes suggestions for accompanying music/songs. (For atmosphere, rather than live performance). Lazy Bee Scripts does not supply any sheet music with this script. |
Style | One-act play, set in the mind of the principal character, with other roles voiced but not interacting directly with him. |
Synopsis | A veteran soldier finds himself trapped in his own flat, facing an imagined enemy. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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Warm, Hot, Getting Hotter by Lou Treleaven Winner, Wimbledon Playfest 2014 |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 27 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy, with a strange restaurant setting. |
Synopsis | It gradually becomes clear that the oddly decorated restaurant, the strange waiter, and the very hot food are not what they seem... Each of these diners has a past that they may really be regretting. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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Windmills and Millstones by Louise Wade |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage characters and the offstage voice of their author. |
Run Time | Around 18 minutes. [Estimated!] |
Music | None. |
Style | Short play, exploring the life of fictional characters in the great maybe - before they have been committed to the page. Contains mild swearing. |
Synopsis | Three characters wait in the mind of an author who has abandoned their stories. They are joined by a new character who doesn't know her name or story. They try to prepare her for her new existence, not knowing she knows more than she's telling. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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You Just Never Know by Liz Dobson |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. The two police officers could be male or female |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | Drama in a single (living-room) set. Structurally in three acts - but in run-time on the borderline between a one act play and full length. |
Synopsis | When Mo decides to surprise her husband with an anniversary party, little does she know that she will be the one left speechless and horrified. But the story doesn’t end there, because no-one could have predicted what happened next... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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