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The Morning After The Night Before by Lee Baddock & Chris Kirby |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. The characters are middle-aged (whatever that means). They declare their ages in the script, but those statements can be changed to suit the cast. |
Run Time | Around 100 minutes. [Estimated!] |
Music | None. |
Style | Full-length macabre farce set in a bedsit flat. |
Synopsis | After a night on the town, four drunken friends crash out in what they think is Eleanor's flat. Unfortunately they seem to have ended up in the wrong flat, and mayhem ensues, not least when the flat owner returns, since it turns out that the flat is owned by a serial killer. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Orville Station by Frank J. Avella |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. One offstage role for voice announcement. |
Run Time | Around 115 minutes. [Estimated!] |
Music | None. |
Style | A full length drama, with strong language, set in a railway station in New Jersey, U.S.A. |
Synopsis | Lenny is twenty five, a screenwriter wannabe, living in a small town in New Jersey. He has completed one script that was met with universal rejection and has allowed fear and his family to rule his life. Lenny usually hangs out with his two best friends from High School often catching the train to NYC, but this place has the notoriety of most train deaths per year, usually suicides. Here Chizzy meets up and befriends Lenny, triggering a major re-think for Lenny's life-purpose. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Right Move by John Peel |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 14. No chorus. Four parts are offstage voices. Gill and Jack are on stage for most of the show, but there are never more than an additional 1M, 1F with them, hence it could be done by 4, though this might be a little frantic! |
Run Time | Around 123 minutes. [Estimated!] |
Music | None. |
Style | A full length comedy in three acts. |
Synopsis | Gill and Jack are adjusting to their new home, but with most of their furniture still undelivered, it's not easy. And the phone doesn't work. And their neighbours are strange. Not to mention the dead body in the cellar... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sherlock's Excellent Adventure by James Barry Best Seller |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
Run Time | Around 90 minutes. [Estimated!] |
Music | Sheet music for four original songs provided with the Producer's Copy of the Script. |
Style | Parody of Sherlock Holmes stories, visual jokes, theatrical jokes, wordplay. Not strictly a pantomime, but has some of the elements (including Mrs. Hudson as a pantomime dame) and could fit in a slot in the panto season. |
Synopsis | Lucy Matravers engages Holmes and Watson to resolve a dispute over a family will, bringing conflict with Holmes's arch enemy, Moriarty. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Shivers by Peter Harrison |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. |
Run Time | Around 105 minutes. [Estimated!] |
Music | None. |
Style | Trilogy of one-act plays with a supernatural theme. Two interior sets plus the interior of an elevator cabin. A mixture of comedy and ghostly melodrama. |
Synopsis | The three scripts - Falling Apart, All Hallows Eve and Knock Knock, Who's There? - are all available separately. Whilst there is no set order to the plays, Falling Apart - with a couple trapped in a lift - might be performed front-of-curtain between the other two plays, which each require an interior setting with a practical window. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Suite 145 by Paul Bovino |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 12. No chorus. There is no overlap between the characters in the four plays - which does not exclude the possibility that they are played by the same actors. |
Run Time | Around 130 minutes. [Estimated!] |
Music | None. |
Style | Collection of 4 one-act plays, each with a single (New York apartment) setting. The plays function independently, so could be performed separately or together. Contains swearing (but only as an incidental attribute of character, situation and comedy). |
Synopsis | Four plays, linked by the setting - Suite 145 - a New York apartment address (although it is not necessarily the same building!) The plays take place in different eras, with different occupants and certainly different tastes in decor! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Talking in the Library by Jackie Carreira |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
Run Time | Around 86 minutes. [Estimated!] |
Music | None. |
Style | Full-length play with a single (library) setting. |
Synopsis | The disparate group of regulars at the library along with the librarian and his assistant discover things about each other, and perhaps more importantly themselves and their relationships, over the course of a few weeks. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Tea With Mrs Pankhurst by Ruth Urquhart & James Douglas |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 19. No chorus. The minimum with doubling omits two non-speaking waitresses and has two actors playing the female principals and two playing the rest (both male and female roles). |
Run Time | Around 80 minutes. [Estimated!] |
Music | None. |
Style | Full-length play, designed to be played without a formal set. |
Synopsis | The stories of Emmeline Pankhurst and Selina Cooper are compared in an attempt to judge who gave most to the cause of votes for women. The story is told in flashback, with minimal sets and audience interaction, mostly in the cake-eating sense. An educational journey through the history of British Women's Suffrage. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Toad Society by John Waterhouse |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage actors (two of whom each play two roles in Act 2) and an off-stage voice. |
Run Time | Around 82 minutes. [Estimated!] |
Music | None. |
Style | Comedy play in two acts (each with its own set). |
Synopsis | The Harpington Toad Fanciers meet to share their fascination with amphibians, only to discover that they have more interests in common than just the common toad. This leads on to the formation of TARTS and a rather eventful camping expidition... Act one is available as a stand-alone one-act play, The Harpington Toad Fanciers' Social |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Under the Hood by Damian Trasler |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | One-act drama (on the lower boundary of two-act length). Simple sets. |
Synopsis | Rose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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