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| The Three Little Pigs... I Mean The Three Little Hogs by Larry Brumer |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Small-cast comedy play intended for performance by an adult or high school company to an elementary school audience. Simple sets, costumes and props. |
| Synopsis | The tale of the Three Little Pigs (building houses, wolves huffing and blowing - that sort of thing) retold for elementary pupils with audience interaction and a surprise ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Time Telescope by Kitty Harper |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Two pairs of roles are written to be doubled. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | A 1990s pop track is required as opening music. The producer's copy of the script gives a suggestion. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A short drama with a single (classroom) setting. |
| Synopsis | Opposed to one another in their youth, Amy and Brian reminisce at their High School reunion and, in a time-slip sequence, relive a painful memory from the night of the leavers’ ball as they reflect on how their lives have turned out. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Toad Society by John Waterhouse |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage actors (two of whom each play two roles in Act 2) and an off-stage voice. |
| Run Time | Around 82 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy play in two acts (each with its own set). |
| Synopsis | The Harpington Toad Fanciers meet to share their fascination with amphibians, only to discover that they have more interests in common than just the common toad. This leads on to the formation of TARTS and a rather eventful camping expidition...
Act one is available as a stand-alone one-act play, The Harpington Toad Fanciers' Social |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tony and Bee-ing Cleopatra by Fiona Scott Patrick |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Lindsay is dressed in a bumble bee costume with a Cleopatra wig. (Just in case you need a hint about the provenance of the strange title.) The cast includes four numbered tourists. Others might drift through! |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute character-driven play, minimal set. (I realise that the residents of Edinburgh might be offended by the description of one of their streets as minimal, but it doesn't need to be a realistic set!) |
| Synopsis | Lindsay is handing out flyers for her show at the Edinburgh Fringe, but she feels she's too old to be there - she's a serious actress. Then she meets Tony, a little drunk and recently dumped by her boyfriend, and the pair find a new enthusiasm for acting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tumor by Herb Hasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen minute play, single set (the main requirement is a hospital bed). |
| Synopsis | Mr Davidson is waiting for an operation when Bruce uses his hospital room as a place to hide. A few of Bruce's questions give Mr Davidson something other than surgery to think about, and when he wakes up minus his tumour, he has something unexpected to tell his wife. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Barmen by Damian Trasler & David Lovesy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. The barmen are written male (as you might expect). The third characters is a duck. There are also two disembodied voices. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch, set in a bar (which can be a minimal set or as elaborate as you can justify for a four-minute piece). |
| Synopsis | You know the one where two men walk into a bar? Well, turns out it was this bar, where every baroom joke you've ever heard took place, along with quite a few you haven't heard.
A duck walks into a bar and says 'Have you got any bread?'... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Two Igors by David Lovesy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch for five performers. |
| Synopsis | On the verge of creating new life, Doctor Frankenstein has to face complaints from his hunchbacked assistant. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| UFO Hotline by John Passadino |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. Two on-stage characters and three offstage voices, two of which might be recorded (Ellen would be better live). |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short sketch with two possible endings. |
| Synopsis | Ron and Grace's second date is going well until a flying saucer lands nearby and the occupant begins to approach them. Attempts to call for help see them redirected to the UFO Hotline, which is not as useful as they'd hoped. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Under the Hood by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama (on the lower boundary of two-act length). Simple sets. |
| Synopsis | Rose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Up, Up and Away by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
| Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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