|
Socks by Rosemary Frisino Toohey
Best Seller 3rd Place, the Ian Wishart Quaich in the 2023 Edinburgh round of the Scottish Community Drama Association's One-Act Festival. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four principal characters plus an off-stage female voice (which could be pre-recorded). |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short, one-act comedy play. Single set - the inside of a clothes dryer at a laundromat! ( A delightful contribution to an under-used sub-genre of costume drama!) |
| Synopsis | A group of single socks discuss their plight. Should they attempt escape? Why have they been abandoned? Don't humans know that socks are the cornerstone of civilization?
A tale of abandonment, rejection and hope in the confines of a clothes dryer.
It is a truth universally acknowledged that a single man in possession of clean laundry must be in want of the correct number of socks. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
|
|
| The Soldiers' Tale by Mike Sparks |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Modern version of a medieval mystery play. Single, minimal set, basic props. |
| Synopsis | The events on Calvary discussed from the perspective of bystanders, including the soldiers who administered the crucifixion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Sorry You're Leaving by Wally Smith |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. One of the characters is on the point of retirement, the rest are younger. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute comedy sketch. Single simple set, simple props (mostly edible). |
| Synopsis | Mr Templeman's leaving party is very sparsely attended, but Edith puts that down to it being a Friday and Mr Templeman coming from Accounts. Sadly, the truth is told to Edith and her boss far too late for them to do anything about it... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Spirits of the Age by John Chambers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play, with a single (multi-functional) set. |
| Synopsis | The relationship between Houdini and Conan Doyle is examined - through the medium of their investigation of the spirit world and its practitioners, in an intriguingly-staged drama. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Suite 145 by Paul Bovino |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 12. No chorus. There is no overlap between the characters in the four plays - which does not exclude the possibility that they are played by the same actors. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 4 one-act plays, each with a single (New York apartment) setting. The plays function independently, so could be performed separately or together. Contains swearing (but only as an incidental attribute of character, situation and comedy). |
| Synopsis | Four plays, linked by the setting - Suite 145 - a New York apartment address (although it is not necessarily the same building!) The plays take place in different eras, with different occupants and certainly different tastes in decor! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Sweet Dreams by Peter Appleton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act twisted psychological drama, verging on the melodramatic. |
| Synopsis | Plagued by nightmares after a mysterious accident, Anne has trouble telling reality from her dreams. Is her fiancé alive or dead? Is her father helping her, or holding her prisoner? Can she even trust her oldest friend? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Talking in the Library by Jackie Carreira |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 86 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with a single (library) setting. |
| Synopsis | The disparate group of regulars at the library along with the librarian and his assistant discover things about each other, and perhaps more importantly themselves and their relationships, over the course of a few weeks. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Tea With Mrs Pankhurst by Ruth Urquhart & James Douglas |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 19. No chorus. The minimum with doubling omits two non-speaking waitresses and has two actors playing the female principals and two playing the rest (both male and female roles). |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play, designed to be played without a formal set. |
| Synopsis | The stories of Emmeline Pankhurst and Selina Cooper are compared in an attempt to judge who gave most to the cause of votes for women. The story is told in flashback, with minimal sets and audience interaction, mostly in the cake-eating sense. An educational journey through the history of British Women's Suffrage. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Territorial Actors by tlc Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 7. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute skit, no set requirements. Single prop (a field telephone) |
| Synopsis | A drill sergeant takes a set of rookie part-time actors through their paces. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| There's No Place Like Home by Peter Harrison |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage characters and an off-stage female voice (which could be recorded, but, in our view, would be better performed live). |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single domestic setting. |
| Synopsis | When elderly Howard claims his dead wife Nancy has been talking to him, his daughter and her partner think he is suffering dementia and plan to move him into a home. But there's a surprise in store when he demonstrates how he contacts Nancy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|