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| For Your Tomorrow by Peter Ayre |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
| Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Future by Andrew Harrison
Listed by The Independent as one of the 'Top Five Plays', 2007 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | Full length play, single interior set, exploring the merits of living for ever. |
| Synopsis | Three couples meet together over the course of twelve years. During those years a drug is perfected that prevents ageing. The advantages and disadvantages are debated and displayed by the friends at each encounter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gabriel-Ernest by Tony Best |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Either for a youth theatre company, or for a mix of adults and children. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act stage adaptation of a subversive Saki story - this one is edgy, verging on (gothic) horror. There are nine scenes, intended to be played seamlessley with the stage divided into one area for a house and one for all other scenes. |
| Synopsis | 'There's a beast in your woods.'
So it seems. Van Cheele's life is interrupted by the arrival of a strange boy, with disturbing behaviour and an unusual disregard for clothes.
(The author makes some suggestions about how to deal with this last point whilst remaining within the bounds of decency!) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Gardener's Tale by Mike Sparks |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Modern version of a medieval mystery play. One-act play, eight scenes, but no specific set requirements. A few simple props (including a wheelbarrow). |
| Synopsis | A gardener from Jerusalem tells her story of Holy Week and the odd bunch of characters she has run into. All of them have tales to tell about 'that Nazarene who's been causing so much trouble.' The story covers the time from Palm Sunday through to the burial of Jesus. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gentlemen Callers by Pam Mackenzie |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 32 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy - play with a single set. |
| Synopsis | Lavinia and her friends like to meet regularly for afternoon tea and cribbage. The old ladies are disturbed by three burglars who quickly find that, with these wily old ladies, they have taken on more than they expected. In fact it's the last job they ever do. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gold! by Kate Stafford |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 7. No chorus. Two on-stage actors plus one female on video and 4 offstage male voices. So this is essentially a two-hander plus recordings. |
| Run Time | Around 42 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play with elements of comedy, drama and romance (plus a serious fight, and some swearing). |
| Synopsis | Julie and Dave are a couple in their 60s who have been hiding a secret for decades - the stash of gold they stole as part of the Brink's-Mat robbery 40 years previously. With their daughter relying on them to fund her expensive wedding, they may finally have to cash it in, but someone from the past is following them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Greatest Form of Flattery by Amelia Armande |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
| Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande
Best Seller Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Illusion/Delusion by David Pollard |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of three one-act plays, all of which are also available separately. |
| Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In Whose Eyes? by George Kappaz |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Justice Peter and Abaddon are written male and Gabriella female, but casting that way is not essential. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | The Producer's Copy for the script suggests a couple of pices to be played over the opening of two of the scenes. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act drama in a single, simple courtroom set. Historical images are intended to be projected during the show. The script has two endings, determined by the audience. |
| Synopsis | In a court where everything is at stake, the life and actions in the colourful career of Major Charles Derudio are challenged and defended. Are his reasons for the lives he has taken sufficient to earn forgiveness? His final destination hangs in the balance. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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