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An Afternoon In September by B.J. Edwards |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 58 minutes. [Estimated!] |
Music | None. |
Style | A drama in two acts (though, with just under an hour's run time - can be performed in one). Touches of tragicomedy and a supernatural element. A simple, multi-functional set. |
Synopsis | The residents of an old folks home are all concerned about Morris who is approaching the end. He expresses a final wish which they all contribute to making come true. An out of world experience he encountered during his service in the Royal Navy poignantly repeats itself for him, with the help of a small pebble. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Attic Room by Elizabeth Anne Wells |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. One male character is offstage voice only. |
Run Time | Around 18 minutes. [Estimated!] |
Music | None. |
Style | A short drama on a single set, an attic in WWII-era Vienna. |
Synopsis | Hanna, a young Jewish girl, hides from the Nazis in the house of an Austrian family. When soldiers begin to search the street, the family rush to decide what is right and wrong. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Babbling Brookes: Keep Calm and Kerry-Ann by Robert Scott |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | A 35-minute comedy drama, part of the 'Babbling Brookes' trilogy. |
Synopsis | The arrival of Grandad Joseph has the Brookes household in more of a spin than usual, and it’s up to Kerry-Ann to find a solution. The question is, would it be better to have brother Eddie or Grandad working with her? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Badly Drawn by Alan Robinson |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 8. No chorus. There are two on-stage speaking characters, two offstage voices and four masked cartoon characters - products of the cartoonists imagination! |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | Short, intreguing, one-act play, dealing with events of a psychological nature. Single, minimal set. |
Synopsis | Spectre has taken Saskia. Where and why, she can't be sure. As he recounts his tale of shattered dreams, stolen ideas and cursed cartoons, Saskia begins to realise the lines that he draws run parallel to her own and soon both are on a collision course to meltdown. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Bags And Browning by Liz Carroll |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
Run Time | Around 47 minutes. [Estimated!] |
Music | None. |
Style | A one act drama with a single setting. |
Synopsis | Mary is a homeless woman known as the Bard of the South Bank for her recitations of 'Childe Roland to the Dark Tower Came' by Browning. But someone has heard she might have a valuable manuscript, and is willing to kill for it |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Beast by Louise Wade |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 8. No chorus. The lead characters are 12 years old, the other roles are older. (The adults might be played by teenagers.) |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One act drama. Multiple setings, but intended for simple presentation. |
Synopsis | Jane's parents and brother think her sighting of a beast in their garden one evening owes more to her teen vampire books than her eyesight. Luckily, her friend Mark takes a more scientific approach to gathering evidence. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Big Event by Horry Parsons |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | A one act play with a single set. |
Synopsis | Trainee Assistant Librarian Poppy is in charge for the day, but the library is under refurbishment - in preparation for the anniversary of the visit of Elizabeth the First. Village characters drop by the library to discuss the upcoming celebration and inspect - and protest - about the building work. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Black Combe by John Peel |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. |
Run Time | Around 49 minutes. [Estimated!] |
Music | None. |
Style | A one act drama, creating some tensions, with a single set. |
Synopsis | Three separate meetings take place on the same day, in the bar of the Duck and Feathers. Each of them, in their own way, affects the life of the landlord, Jimmy. Is it true that the clouds over Black Combe are bringing him bad luck? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Café Fear by Paul John Matthews |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 50 minutes. [Estimated!] |
Music | The producer's copy of this script contains suggestions for three pieces of intermission music. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one act play, with elements of tragicomedy and strong language. |
Synopsis | Two newspaper reporters, Angela and Jim, are following up reports of an escaped patient from a local secure mental hospital. Stopping off at a café to ask directions, they are joined by Adriana, a prissy germaphobe and Roger, an annoying smart Alec. They soon realise that they have ended up in a very strange place. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Can We Stop It There? by Trevor Suthers |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Ten minute play/sketch. Bare stage set (could even be done front of tabs). Contains some swearing. |
Synopsis | A play about a director directing a play about a director directing a play about a director directing a play about... er... well, that's not important really. Can I try that again from my cue? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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