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Illusion/Delusion by David Pollard |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | A collection of three one-act plays, all of which are also available separately. |
Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Inspector Whalley's Casebook - Volume 2 by Barry Lambert |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 8. No chorus. Same principal characters as Inspector Whalley's Casebook, but functions completely independently. |
Run Time | Around 96 minutes. [Estimated!] |
Music | None. |
Style | Single set - a police operations room with a single entrance (which need not be a practical door). |
Synopsis | Inspector 'Bloodhound' Whalley and his team take on a trio of tricky cases - missing persons, ATM cash theft, and ...Team Building! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Invisible Man by Rob Johnston |
Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 8. No chorus. 8 characters, designed to be split between 3 actors. |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | A full-length gothic thriller, based on the novel by H. G. Wells, on a split stage. |
Synopsis | When a new guest arrives at the Coach and Horses in swathed in bandages, he is assumed to be a shy accident victim. But Griffin is in fact a scientist who has turned himself invisible, and not yet found the antidote. His condition, and the refusal of others to help, is destined to drive Griffin to violent madness. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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It's Business As Usual by John Peel |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Eight on-stage characters and an off-stage voice. |
Run Time | Around 120 minutes. [Estimated!] |
Music | None. |
Style | Full length comedy play, largely set in the office of a pie making company. (A couple of scenes elsewhere which could be created without separate sets.) |
Synopsis | Plover's Pies may be in financial trouble. Certainly the bank want a closer look at the books, but the man they send has a few useful ideas for the business, if Percy Plover can drag his attention away from golf and his new secretary. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Kalifa's Amazing Adventures by Nikki Harmon |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 17. No chorus. The lead character is a young elephant and various others are animals. These are supposed to be indicated by costumes props or masks, rather than being entirely realistic! (There's a photographic example on the script page.) |
Run Time | Around 90 minutes. [Estimated!] |
Music | None. |
Style | Full length play - a fable along the lines of the Just So stories or Brer Rabbit. Aimed at a young audience, but to be played by adults or teenagers. |
Synopsis | The growing pains of an inquisitive young elephant, as she learns about the dangers of her environment and the value of friendship. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Laughter Lines by Frank Gibbons |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
Synopsis | Sketches about life, death, relationships and cream cakes. Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.) There is no particular order to the sketches, but there are occasional common themes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Life Goes On by Frank Gibbons |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 44. No chorus. |
Run Time | Around 110 minutes. [Estimated!] |
Music | None. |
Style | Collection of 19 comedy sketches (ranging in duration from 4 minutes to 9 minutes). Few set requirements. There are a couple of mild swearwords buried in there somewhere. |
Synopsis | Sketches about life, love, work and cream cakes. All of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.) There is no particular order to the sketches, but there are occasional common themes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Lions Versus Elephants by Graham Dillistone |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. 4 onstage characters (2M, 2F), plus 5 (2M, 3F) who are voice only and may be pre-recorded. |
Run Time | Around 95 minutes. [Estimated!] |
Music | None. |
Style | A full-length comedy, presented as three acts, on a single (living room) set. |
Synopsis | Bernard follows the book 'Man is a lion, woman is an elephant', but his dinner guests Gerald, Ann and Peggy will test his beliefs. Gerald and Ann’s marriage falls apart, Peggy preys on both men, and Bernard misses the simple life. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Mug's Game by Sarah Reilly |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 90 minutes. [Estimated!] |
Music | None. |
Style | Full-length play, posing question of inner versus outward beauty. Contains mild swearing and an Australian accent. |
Synopsis | Suzy is unhappy with her new life in the country and decides to host a dinner party. She invites her glamorous friend Alice whose reasons for recent plastic surgery splits the group. Her arrival with Suzy's husband causes cynical sister Jo to suspect foul play. As the wine flows, her usually quiet neighbour, Beth, to her husband's dismay, speaks her mind and there are shock announcements as innermost feelings are exposed. Add to this the new handsome neighbour moving in next door, there are comical scenes leading to life-changing results. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Normandy Conquests by David Weir Constance Cox Award for best play (Sussex Playwrights) 2015 |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. |
Run Time | Around 95 minutes. [Estimated!] |
Music | None. |
Style | A wistful full length comedy - some strong language. |
Synopsis | As a group of family and friends spend a weekend away in Normandy, past tensions come to the fore. Susan looks forward to seeing her lifelong unrequited crush Colin for the first time in 20 years, while trying not to murder her tedious husband Jeff. With her sister and niece, and Colin's libidinous brother and disapproving mum also in the Normandy farmhouse, the scene is set for tale of life, love and the ones that got away. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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