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Dummy Cabs by S. P. Franksson |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four on-stage characters, seven live voices (which could, conceivably, be played by one male actor) plus a recorded message. |
Run Time | Around 114 minutes. [Estimated!] |
Music | None. |
Style | A fun full-length comedy with likeable characters in a single taxi office setting. |
Synopsis | It's the 1990s and Dermy Cabs is under threat from a competitor. Beryl, the overworked switchboard operator, struggles with phone, radios and in-person customers whilst trying to keep the company's drivers under control, especially Bob, whose wife has kicked him out of the house. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Exercise In Discretion by Geoff Fulford |
Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 125 minutes. [Estimated!] |
Music | None. |
Style | A full length drama with a single gym rest room setting. |
Synopsis | Take 5 ladies of varying backgrounds and put them in the rest room at an exercise class. They talk about their lives, their hopes and fears openly and unashamedly. Add into the mix a young, single, male fitness instructor and see what happens. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Fall and Rise of Gordon Grimshaw by Sandy Truman |
Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. |
Run Time | Around 110 minutes. [Estimated!] |
Music | None. |
Style | A consistently funny farce with a variety of storylines that all come together satisfyingly. |
Synopsis | Gordon fears that downsizing to Finchurch-on-Sea is the end of his life, with no job, no bowls club, and wife Marion putting him on a strict diet. But he hasn't reckoned on their bizarre new neighbours, kamikaze seagulls, brushes with the law, half-marathons, and getting reeled into amateur dramatics! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Fools Call It Fate by Jessica McHugh Winner of the Mobtown Playwrights Group (Baltimore MD) original playwriting competition, 2010. |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 10. No chorus. Three of the characters are intended to double as 'No-one'. Whilst there is no formal chorus, there are options for additional customers in the bar and restaurant scenes. |
Run Time | Around 100 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama in which threads of tangled lives are interwoven with scenes in a form of purgatory. Four locations, but can be done very simply. Contains adult themes and offensive language (if that's what offends you). |
Synopsis | A story of sex, coincidence, and an electronic cigarette. A group of characters interweave as their stories unfold - Sophie is sleeping with Gabby's husband, he's the Health Inspector who's shut down Tara's bakery, and Tara just met Ash in the bar run by Danny, who's Sophie's brother... and the man who drugged and raped Tara... An intriguing, challenging and very well constructed play with lots of depth to the characters. Set in Baltimore, Maryland, but could easily be transposed to another country! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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For Your Tomorrow by Peter Ayre |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
Run Time | Around 115 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Hound Dog by Ginny Davis |
Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 64 minutes. [Estimated!] |
Music | 10 tracks suggested to be played as background music at certain points in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A comedy presented as three acts (though could be performed as one) with a single living room set. |
Synopsis | Linda is determined to adopt a mistreated dog she encounters on holiday in Greece, much to the consternation of not only of her husband and two teenage children, but also family dog Jack, who has a lot to say. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Illusion/Delusion by David Pollard |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | A collection of three one-act plays, all of which are also available separately. |
Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Inspector Whalley's Casebook - Volume 2 by Barry Lambert |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 8. No chorus. Same principal characters as Inspector Whalley's Casebook, but functions completely independently. |
Run Time | Around 96 minutes. [Estimated!] |
Music | None. |
Style | Single set - a police operations room with a single entrance (which need not be a practical door). |
Synopsis | Inspector 'Bloodhound' Whalley and his team take on a trio of tricky cases - missing persons, ATM cash theft, and ...Team Building! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Invisible Man by Rob Johnston |
Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 8. No chorus. 8 characters, designed to be split between 3 actors. |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | A full-length gothic thriller, based on the novel by H. G. Wells, on a split stage. |
Synopsis | When a new guest arrives at the Coach and Horses in swathed in bandages, he is assumed to be a shy accident victim. But Griffin is in fact a scientist who has turned himself invisible, and not yet found the antidote. His condition, and the refusal of others to help, is destined to drive Griffin to violent madness. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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It's Business As Usual by John Peel |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Eight on-stage characters and an off-stage voice. |
Run Time | Around 120 minutes. [Estimated!] |
Music | None. |
Style | Full length comedy play, largely set in the office of a pie making company. (A couple of scenes elsewhere which could be created without separate sets.) |
Synopsis | Plover's Pies may be in financial trouble. Certainly the bank want a closer look at the books, but the man they send has a few useful ideas for the business, if Percy Plover can drag his attention away from golf and his new secretary. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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