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Hats Off! - The Musical by Sue Gordon |
Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 9. Chorus. A nucleus of seven actors, backed by a chorus (with no size limitations) singing the songs. |
Run Time | Around 60 minutes. [Estimated!] |
Music | Sheet music for seven songs (original lyrics to Victorian period music) is supplied with the Producer's copy of the script. |
Style | Musical for children (could also be staged by adults for kids). Whilst by length we would class this as a one-act play, it is split into two acts and an interval is advised so that the single set can be redressed to mark the passage of time! |
Synopsis | Mrs. Green is the real driving force behind 'Barker's Bonnets' a milliner's shop in Victorian England. However, she faces unemployment when Mr. Barker sells up to emigrate. A secret scheme is hatched to allow her to continue - and to thrive in the modern world of the 1870s. (The script tells an engaging story whilst exploring the novelties, inventions and social nuances of the Victorian world. This would fit well with the English National Curriculum Key Stage 2 History Topic, 'The Victorians'.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'rehearsal CD' with piano arrangements of songs from the show
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A Heart-Shaped Cushion by Louise Wade |
Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 7. Minimum total without doubling = 21. No chorus. The patients can be any age from about thirty-five to sixty-five. Beth and Tom should be about the same age. Doubling and trebling-up is possible with a minimum of one man and six women |
Run Time | Around 67 minutes. [Estimated!] |
Music | None. |
Style | A one act drama following a patient's experience with breast cancer, through chemo and physiotherapy, to exiting the treatment. |
Synopsis | Along the way we meet people dealing with similar experiences. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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A Human Write by Amelia Armande Best Seller Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus. Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Awards | Click here to see the awards won by (productions of) this script. |
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The Importance Of Being Earnest [45 minute abridgement] by Oscar Wilde abridged by Gerald P Murphy |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. The two narrators are written female but could be played male (especially if their names were changed to something more masculine than Agnes and Doris). |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy, abridged (and slightly adapted) from the play by Oscar Wilde. A couple of narrators are used to set scenes so that the piece can be played with minimal (furniture only) sets. |
Synopsis | Bachelors, Jack Worthing and Algernon Moncrieff, use convenient fictions when they wish to escape the more tedious aspects of society life. They both fall in love and become engaged, but their deceptions lead to much confusion. And Lady Bracknell has a lot to say about it all. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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An Indecent Exposure by David Pemberton |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. No chorus. |
Run Time | Around 38 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy drama - in which the cast remain clothed. |
Synopsis | A couple are keeping the park opposite their flat under surveillance in an attempt to gather evidence on the person who's been exposing themselves. But are they really playing tricks on one another? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Inspector Snow and the Elf-Inflicted Wounds by Skip Chalker |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 18. No chorus. |
Run Time | Around 41 minutes. [Estimated!] |
Music | None. |
Style | A one-act Christmas story for children with various simple settings. US English. |
Synopsis | Inspector Snow and Sergeant Merryman are back on the case, hunting the killer of not one, but two Mall Santas. Before the killer can strike for a superstitiously crucial third time, Snow and Merryman must catch them! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Interview Protocol by Pat Edwards |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | A one act play with two simple, waiting room and office, settings. |
Synopsis | A young man nervously waits to be called into the interview room. The odd atmosphere between the waiting candidates unnerves him further, and his experience during the interview is something he has never encountered before. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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It's All Greek by Tony Domaille |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 12. No chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | Collection of short comedy plays featuring Ancient Greek heroes and god. A set of riffs on myths. |
Synopsis | Five funny plays, each with a cast of two or three, Locations include Troy, Mount Olympus, the skies and a couple of unexpected Ancient Greek offices. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Jane Eyre - A One Act, Musical Farce by Gerald P. Murphy |
Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 11. No chorus. One of the characters is a dog. (This is a speaking role, although most of the words are Ruff.) |
Run Time | Around 35 minutes. [Estimated!] |
Music | Scores for four songs and three instrumentals are included with the Producer's Copy of the script. |
Style | Eyre on a G-string. A musical comedy treatment that follows Charlotte Brontë's story accurately (within the constraints of reducing 38 chapters to a single act). |
Synopsis | The classic Brontë tale given a comic twist, reduced to one act and set to music! Unlike any other Eyre you've seen! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'rehearsal CD' with piano arrangements of songs from the show
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Click here to read the script or Click here for more details. |
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The Lambton Worm by Timothy Hallett and Nicholas Richards |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 19. Chorus. Very flexible casting. There is one narrator role, but this could be shared out. Equally, the chorus could be 'all the actors'. |
Run Time | Around 20 minutes. [Estimated!] |
Music | A 40-page musical score is included with the Producer's Copy of the script. |
Style | Short musical retelling of an English folk tale. (The music plays throughout, even though some of the narration is spoken rather than sung.) No real set requirements, but the ideal performance would put some effort into creating a fearsome worm! |
Synopsis | The tale of the wild worm of Wearside and its grisly end. It should be emphasised that 'worm' is used in its old sense of 'serpent' - so this is a story of knights fighting dragons. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show ** CD with backing track for the whole musical The Lambton Worm by Timothy Hallett and Nicholas Richards. Plus simple rehearsal tracks for each individual section (accompaniment on piano with vocal line played on another instrument.) ** Complete recording of The Lambton Worm by Timothy Hallett and Nicholas Richards including all songs and the spoken narration.
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