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The Amateur Killer by Robert Scott
Best Seller |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 102 minutes. [Estimated!] |
| Music | None. |
| Style | A full length murder mystery thriller with multiple endings. |
| Synopsis | Theatre director Daniel is letting his personal history with Lucas affect their relationship as he directs the production of Adieu in the local Dramatic Society. But it’s his knowledge of Lucas’ affair with Natalie that will lead to murder. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Carrie's Lions by Amelia Armande |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. 'Carrie' appears in three guises - as a narrator/protagonist, as a child and as an adult. 'Michael' appears as narrator/protagonist and as an adult. There are two small non-speaking roles. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with plenty of technical and acting challenges! Whilst it is not formally divided into scenes, there are five locations - indicated symbolically by props and furniture. |
| Synopsis | Through a series of conversations with her guardian angel, Carrie tries to come to terms with the death of her father. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Chance Encounters by Jamesine Cundell Walker
Best Seller |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 17. No chorus. Can be played with a different cast in every scene, or with the same cast throughout. |
| Run Time | Around 76 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play comprised of nine connected playlets with a single (park bench) setting. |
| Synopsis | Nine encounters take place on a park bench during the course of a day in September. Some are dramatic, some comedic. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Chekhov's Shorts by Anton Chekhov, adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of five short plays based on short stories by Anton Chekhov. |
| Synopsis | A Lottery Ticket adapted from the story of the same title
A Meeting on a Train Loosely adapted from 'An Enigmatic Nature'
Difficult People adapted from the story of the same title
Natalie’s Vacation adapted from 'A Tripping Tongue'
I’m Famous based on 'Joy' |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Christmas Carol In 60 Minutes Or Less! by Martin Prest |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 29. No chorus. Various doubling alternatives suggested in the Producer's copy of the script. |
| Run Time | Around 51 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play in various settings. |
| Synopsis | Staying as true to the original Dickens story as time allows, it unfolds neatly through narration and action. Originally published in 2014, revised edition published September 2017. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Donegal Calling by John Peel |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 11. No chorus. Six on-stage characters, five off-stage voices. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama in a single set (which needs only furniture). |
| Synopsis | Roisin and Johnny, strangers, are thrown together one evening in the busy foyer of a hotel. They share a bottle of wine and conversation brings out major events in their lives. Both had fallen in love - both relationships ended tragically, for very different reasons - but Donegal keeps calling them back. One year later in the same hotel, the same busy foyer, they meet again as friends. More information about past events comes to light - enough to clear the way to give them a future together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Fighting the Kaiser with Catapults by S. J. Edwards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama written for performance by older youth theatre students (16-19 year olds). Can be performed on minimal sets. |
| Synopsis | A series of vignettes follows three different men, their relationships with the women in their lives and their involvement in the First World War. The scenes take place at various intervals between 1914 and 1916. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Fools Call It Fate by Jessica McHugh
Winner of the Mobtown Playwrights Group (Baltimore MD) original playwriting competition, 2010. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 10. No chorus. Three of the characters are intended to double as 'No-one'. Whilst there is no formal chorus, there are options for additional customers in the bar and restaurant scenes. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama in which threads of tangled lives are interwoven with scenes in a form of purgatory. Four locations, but can be done very simply. Contains adult themes and offensive language (if that's what offends you). |
| Synopsis | A story of sex, coincidence, and an electronic cigarette.
A group of characters interweave as their stories unfold - Sophie is sleeping with Gabby's husband, he's the Health Inspector who's shut down Tara's bakery, and Tara just met Ash in the bar run by Danny, who's Sophie's brother... and the man who drugged and raped Tara...
An intriguing, challenging and very well constructed play with lots of depth to the characters.
Set in Baltimore, Maryland, but could easily be transposed to another country! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For Your Tomorrow by Peter Ayre |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
| Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Girls Are Back in Town by Jonathan Edgington |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 53 minutes. [Estimated!] |
| Music | One public domain song is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act drama set in both the present day and WW1. Seven different settings, though all can be portrayed with minimal furniture. |
| Synopsis | Four iconic suffragettes are mysteriously transported to modern-day London to finish what they started. 100 years earlier, as Alan learns the horrors of life on the Western Front, his girlfriend Beatrice carries out important work for the suffragettes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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