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| Origins by Martin Sadler |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 126 minutes. [Estimated!] |
| Music | None. |
| Style | A full length farce with a single (hotel room) setting. Adult themes and language. |
| Synopsis | Harry has booked a hotel room to rekindle his former relationship with Min, who has since married. Their idyll is frustrated as first Min’s married daughter Rosie arrives, accompanied by new love Harris. Hot on their heels come Min’s husband Geoffrey and Rosie’s husband Keith. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Pig is a Pig is a Pig by Gerald P. Murphy |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Nominally three men and three women, but the genders of the characters are not integral to the story (and have been changed from the original short story), so they can be switched around as required. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play. Single set (the front desk of Acme Express Shipping Company). |
| Synopsis | When Mary Flannery receives a shipment of guinea pigs, she is forced to keep them whilst a dispute over shipping fees is settled. Guinea pigs breed quickly, however, and soon she has more than she can handle...
Based on an original story by Ellis Parker Butler. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Potted Pride & Prejudice by Nadya Henwood |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 14. No chorus. Written for a cast of 4 playing 14 roles (with one of the men playing the older female roles). |
| Run Time | Around 50 minutes. [Estimated!]
The original production (with a cast of 4) ran between 45 and 50 minutes. |
| Music | None. |
| Style | A one-act adaptation of Jane Austen's novel, designed to be performed in a simple set (just furniture brought on by the cast). Essentially a drama, but with comedy, not least from the casting. |
| Synopsis | Mrs Bennet is keen to find husbands for her four daughters, especially when the wealthy Mr Bingley moves into the area. Elizabeth instantly dislikes the snobbish Darcy, and Lydia runs off with the charming Wickham, but not everyone is how they first seem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Rambles On Radio by Robert Scott
Best Seller |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy |
| Synopsis | Christopher is delighted to be performing his play on the radio with his daughter in a starring role, but others are less content with the casting. Worse still, there’s more drama behind the microphone than is going out over the air. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Resurrectionist by Robert Hunter Allan
Winner of the Edinburgh SCDA One Act Festival competition.Awarded the Edith Frobes Trophy (Edin. winner), The Eric Bennett Trophy for highest mark in production, the Bobby Watt Cup for stage presentation and the Eastern Division trophy - Jin Brown Trophy |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act dark comedy with four simple sets. |
| Synopsis | Mary Tyrell, the brains behind the bodysnatching activities of Burke and Hare in 19th Century Edinburgh, finds herself facing execution but manages to ensure that Burke and Hare take the blame. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Right Move by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 14. No chorus. Four parts are offstage voices. Gill and Jack are on stage for most of the show, but there are never more than an additional 1M, 1F with them, hence it could be done by 4, though this might be a little frantic! |
| Run Time | Around 123 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy in three acts. |
| Synopsis | Gill and Jack are adjusting to their new home, but with most of their furniture still undelivered, it's not easy. And the phone doesn't work. And their neighbours are strange. Not to mention the dead body in the cellar... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sassenach by Ronnie Dykstra |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room). |
| Synopsis | When a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Scriptaholic by Billy Doyle |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. Chorus. In the author's draft of the script, the 'New Member' is male and the 'Group Leader' female, but there doesn't seem to be any necessity for this! |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | Very short comedy sketch with no specific requirements for set or props. |
| Synopsis | When a new member joins Scriptaholic, a support group for script writers who have lost sight of the boundaries between fantasy and reality, even the group leader finds him too far gone for help. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Second Thoughts by Colin Calvert |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. (The max. and min. numbers depend on whether the production follows the author's intention and uses a quartet of four female singers to punctuate the action. There are also a few lines addressed to passers-by who might or might not appear on stage.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single minimalist set - a bus stop. Few props. A study of an attempted mid-life affair. |
| Synopsis | Harold is waiting at the appointed spot, a bus shelter, for a meeting with his old school friend Patti, and wondering if he's up to having an affair, if that's even what's on offer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Senior Speed Date by Jeff Bray |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. One character is voice-only and can be voiced live or pre-recorded. |
| Run Time | Around 39 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (pub room) setting. |
| Synopsis | Recently separated from her husband, Joan has been persuaded by her daughter to attend a speed dating evening. She is confronted by a procession of highly unsuitable candidates. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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