|
Death by Detective by David Pemberton |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 8. No chorus. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | A witty and fast paced comedy loosely based on The Speckled Band with a solid mystery plot provided by the Conan Doyle source material. A lot of fun for cast and audience. Structured in two acts, but could form half an evening of one-act plays. |
Synopsis | When a legendary detective solves a terrible murder and discovers his own guilty part in the affair, it is left to his closest friends to prevent him from arresting himself. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Diamond Jubilee 2012 by Ray Lawrence |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 38. No chorus. Generally, the characters are fairly normal, although one of them is a football. |
Run Time | Around 120 minutes. [Estimated!] |
Music | None. |
Style | Revue - that is to say, a themed sketch show. Structured with a chairman (of the Music Hall sort) to introduce the act. Few set requirements. |
Synopsis | A collection of twenty four sketches suitable for the celebration of Queen Elizabeth the Second's Diamond Jubilee (and probably other occasions). Not a musical show as written, but structured so that musical numbers could easily be inserted between the acts. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Don't Bury The Banjo by John Peel |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Five speaking roles and two non-speaking pallbearers. |
Run Time | Around 130 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama - with comedy and pathos - with a single kitchen/store room setting. |
Synopsis | Ruth Thwaites is preparing for her husband's funeral, and is delighted her son Jake has come home for it. But Jake's life in the big city isn't all he's made it out to be, and his 'friend' Roiseen has tracked him down to break some big news. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Donegal Calling by John Peel |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 11. No chorus. Six on-stage characters, five off-stage voices. |
Run Time | Around 120 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama in a single set (which needs only furniture). |
Synopsis | Roisin and Johnny, strangers, are thrown together one evening in the busy foyer of a hotel. They share a bottle of wine and conversation brings out major events in their lives. Both had fallen in love - both relationships ended tragically, for very different reasons - but Donegal keeps calling them back. One year later in the same hotel, the same busy foyer, they meet again as friends. More information about past events comes to light - enough to clear the way to give them a future together? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Dummy Cabs by S. P. Franksson |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four on-stage characters, seven live voices (which could, conceivably, be played by one male actor) plus a recorded message. |
Run Time | Around 114 minutes. [Estimated!] |
Music | None. |
Style | A fun full-length comedy with likeable characters in a single taxi office setting. |
Synopsis | It's the 1990s and Dermy Cabs is under threat from a competitor. Beryl, the overworked switchboard operator, struggles with phone, radios and in-person customers whilst trying to keep the company's drivers under control, especially Bob, whose wife has kicked him out of the house. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The Epic of Gilgamesh by Adrian Jarvis |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
An Evening to Forget by Rupert Dick |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | The 'Boss coming to dinner' trope is one that has been used for years, but this script succeeds in taking it in a new direction in spectacular fashion with elements of light comedy, farce and thriller. |
Synopsis | Olivia is worried, because her boss is coming to dinner and it’s very short notice. And he’s bringing a companion. And it’s a very important dinner. But when things really go wrong, it’s not any of the issues she was imagining. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
A Fete Worse Than Death by Richard James Best Seller |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 95 minutes. [Estimated!] |
Music | None. |
Style | Full-length comic murder mystery. (The comedy comes from situation and character. The murder mystery is handled seriously.) Single simple set - a marquee at a village fete! Contains a small amount of mild swearing. (And a murder.) |
Synopsis | Actor Ray Martin is opening the village fete, playing on his fame as TV's Inspector Brady. Little does he know that ambition, infidelity and marrow envy will lead to murder, and he'll be left to solve the murder - without a script! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Click here to read the script or Click here for more details. |
|
|
Fleas Can Bite by George Freek |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | Dry comedy, on the boundary between a long one-act play, and a short full-length one. (It's in two acts.) |
Synopsis | A saga of unrequited love, insanity and blackmail, populated by a strange collection of patients, professionals and friends. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
For Your Tomorrow by Peter Ayre |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
Run Time | Around 115 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|