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Going Underground by Christopher Morgan Awarded the George Taylor Memorial Award as winner of the 2005 One Act Playwriting Competition of the National Drama Festivals Association |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single set - the interior of an underground train. Simple props. |
Synopsis | Seven travellers on the underground with a series of overlapping stories. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Golden Galah by Richard Ward |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Narrator or Chairperson may be M or F. |
Run Time | Around 24 minutes. [Estimated!] |
Music | None. |
Style | A short one act comedy melodrama, which could be incorporated into a Music Hall, with a single - wooden shack - set. |
Synopsis | As the Hardcastles struggle to make a living on their infertile land in 1930s Australia, daughter Chastity reveals she is not chaste, she is expecting! Her young man, Clarence, is unaware of this and, having failed to convince her father of his worth, sets off to seek gold. Chastity's stepmother, plots a marriage between Chastity and the wealthy Roland. Will Clarence find gold and return in the nick of time? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Growing Up With Martin by Paul Richards |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play (three sets) |
Synopsis | Martin is twenty four, living in a rented flat with his girlfriend, and working at the bottom of the corporate ladder in an accounting firm run by his Mum and Dad. He's frustrated by his lowly position, but equally annoyed by the idea that he should have to exert himself to get on in life. In the course of one day we see him downtrodden, turn a corner and find a new goal, just to have one of the dearest things snatched from him. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Honorable Knight by Stewart Boston |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Nothing remarkable in the characters (apart from the dragon, obviously). |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A light comedy, playing on the traditions of the knightly stories. Split-stage set, with one permanent location and the other half of the stage doubling for two other locations. |
Synopsis | Before leaving his castle for the last time, Sir Gawain of the renowned Round Table reluctantly reveals a tale of his exploits that shows him in a less than favourable light. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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A Human Write by Amelia Armande Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus. Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Awards | Click here to see the awards won by (productions of) this script. |
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I Remember When by Dawn Cairns |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Three on-stage characters plus four off-stage (including two children) who might be recorded. |
Run Time | Around 44 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy in a single camp-site setting. |
Synopsis | John looks forward to re-visiting his childhood holiday campsite but his wife Sheila is not so sure, particularly when John insists his curmudgeonly mother come along too. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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In Her Defence by Helen Saxton Original Playwriting Award at the Oxfordshire Drama Network Festival in June 2022. Production by The Compton Players |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. Seven on-stage characters and an off-stage male voice. |
Run Time | Around 42 minutes. [Estimated!] |
Music | None. |
Style | One-act thriller with several nods to Agatha Christie. Single set, split between a courtroom and a living room. |
Synopsis | London, 1947. Philip Mackinder is dead. His wife, Catherine, has just shot him. As a court hears the evidence leading up to the murder, we witness the disintegration of the couple's marriage and discover the real, surprising truth. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Inspector Quaker of the Yard by Peter Stallard |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play - a spoof detective story. |
Synopsis | Cecil has gone missing (from his position on the mantlepiece) and Lady Boulder has to find him - and his urn. The stage is set for Inspector Quaker of the Yard in The Return of the Cecil Vessel. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Inspector Snow and the Elf-Inflicted Wounds by Skip Chalker |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 18. No chorus. |
Run Time | Around 41 minutes. [Estimated!] |
Music | None. |
Style | A one-act Christmas story for children with various simple settings. US English. |
Synopsis | Inspector Snow and Sergeant Merryman are back on the case, hunting the killer of not one, but two Mall Santas. Before the killer can strike for a superstitiously crucial third time, Snow and Merryman must catch them! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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It's All Greek by Tony Domaille |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 12. No chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | Collection of short comedy plays featuring Ancient Greek heroes and god. A set of riffs on myths. |
Synopsis | Five funny plays, each with a cast of two or three, Locations include Troy, Mount Olympus, the skies and a couple of unexpected Ancient Greek offices. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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