Lazy Bee Scripts
One-Act Play Script - Search Results


All the scripts described below can be read in full on the Lazy Bee Scripts web site (click on the titles).
However, all the scripts on this site are copyrighted. They may not be printed, quoted or performed without the permission of Lazy Bee Scripts.
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Scripts 31 to 40 of 95
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The Epic of Gilgamesh by Adrian Jarvis
RolesMinimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus.
Run TimeAround 75 minutes. [Estimated!]
MusicNone.
StyleFour thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups.
SynopsisKing Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts.
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Finding Goddard by Deborah Hugill
Best Supporting Actor - Sedgefield One Act Drama festival 2012 (Allerton Players)
RolesMinimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 16. No chorus. 11 minor roles can be easily shared by two actors.
Run TimeAround 29 minutes. [Estimated!]
MusicNone.
StyleA one-act comedy with a variety of locations but minimal set requirements.
SynopsisWhen it turns out a modest, unassuming man in Helions Bumpstead is really God, everyone has an angle and everyone wants in. But soon enough, people affected by 'Acts of God' want their day in court.
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Fleas Can Bite by George Freek
RolesMinimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus.
Run TimeAround 65 minutes. [Estimated!]
MusicNone.
StyleDry comedy, on the boundary between a long one-act play, and a short full-length one. (It's in two acts.)
SynopsisA saga of unrequited love, insanity and blackmail, populated by a strange collection of patients, professionals and friends.
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Gallery by Stewart Boston
RolesMinimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus.
Run TimeAround 40 minutes. [Estimated!]
MusicNone.
StyleStructurally a two-act play (but classified as a one-act on the grounds of length), single art gallery setting, satirising thepretentions of the commercial fine arts world.
SynopsisAn unscrupulous Art Dealer has a young artist foisted on him by a work programme, but soon turns the situation to his advantage when a misunderstanding makes the artist an overnight sensation.
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The Gardener's Tale by Mike Sparks
RolesMinimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 7. No chorus.
Run TimeAround 25 minutes. [Estimated!]
MusicNone.
StyleModern version of a medieval mystery play. One-act play, eight scenes, but no specific set requirements. A few simple props (including a wheelbarrow).
SynopsisA gardener from Jerusalem tells her story of Holy Week and the odd bunch of characters she has run into. All of them have tales to tell about 'that Nazarene who's been causing so much trouble.' The story covers the time from Palm Sunday through to the burial of Jesus.
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The Giant Wolverine by Nicholas Richards
RolesMinimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus.
Run TimeAround 35 minutes. [Estimated!]
MusicNone.
StyleOne-act comedy drama set in Canada, therefore in a mix of English and French (with a smattering of the local Ya'ma'kawa'ya language)
SynopsisThe town of Windshock (as represented by a handful of people in Greg and Meg's, a bar on the edge of town) is surprised to learn from two visiting employees of ExCav, a mining company that large deposits of a valuable mineral ore, Rupertite, have been found in the Clearview Hills nearby. This leads to tesions between those who might benefit from change and those who want to preserve the pristine environment. There's also the local legend of a dangerous wild beast - The Giant Wolverine. This is not taken seriously - until strange howls are heard outside the bar...
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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God's Minstrel by Joseph P. Ritz
RolesMinimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional.
Run TimeAround 70 minutes. [Estimated!]
MusicNone.
StyleYou can think of this either as a short two-act play, or a long one-act play. Single set.
SynopsisMixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling.
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Going Underground by Christopher Morgan
Awarded the George Taylor Memorial Award as winner of the 2005 One Act Playwriting Competition of the National Drama Festivals Association
RolesMinimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus.
Run TimeAround 50 minutes. [Estimated!]
MusicNone.
StyleOne-act play, single set - the interior of an underground train. Simple props.
SynopsisSeven travellers on the underground with a series of overlapping stories.
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The Golden Galah by Richard Ward
RolesMinimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Narrator or Chairperson may be M or F.
Run TimeAround 24 minutes. [Estimated!]
MusicNone.
StyleA short one act comedy melodrama, which could be incorporated into a Music Hall, with a single - wooden shack - set.
SynopsisAs the Hardcastles struggle to make a living on their infertile land in 1930s Australia, daughter Chastity reveals she is not chaste, she is expecting! Her young man, Clarence, is unaware of this and, having failed to convince her father of his worth, sets off to seek gold. Chastity's stepmother, plots a marriage between Chastity and the wealthy Roland. Will Clarence find gold and return in the nick of time?
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Growing Up With Martin by Paul Richards
RolesMinimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus.
Run TimeAround 60 minutes. [Estimated!]
MusicNone.
StyleOne-act comedy play (three sets)
SynopsisMartin is twenty four, living in a rented flat with his girlfriend, and working at the bottom of the corporate ladder in an accounting firm run by his Mum and Dad. He's frustrated by his lowly position, but equally annoyed by the idea that he should have to exert himself to get on in life. In the course of one day we see him downtrodden, turn a corner and find a new goal, just to have one of the dearest things snatched from him.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Scripts 31 to 40 of 95
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