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Battle of the Bedroom by David Pemberton |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. The characters are written as 3M, 4F, but - with permissible minor tweaks to the text, could be played by any combination. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | A funny and fast-paced one-act comedy combining physical humour with witty dialogue. |
Synopsis | When Chris and Jo move into their new bedsit apartment, they discover that it's much smaller than they first thought and that living together, with their combined possessions, is going to be an alarmingly cramped and intimate experience. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Beast by Louise Wade |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 8. No chorus. The lead characters are 12 years old, the other roles are older. (The adults might be played by teenagers.) |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One act drama. Multiple setings, but intended for simple presentation. |
Synopsis | Jane's parents and brother think her sighting of a beast in their garden one evening owes more to her teen vampire books than her eyesight. Luckily, her friend Mark takes a more scientific approach to gathering evidence. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Being of Sound Mind by Andrew Hull |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. (One character is - deliberately - uncredited in the script.) |
Run Time | Around 140 minutes. [Estimated!] |
Music | None. |
Style | Full-length murder mystery. Single set. |
Synopsis | Edward Goodchild has died, and the will is read. Penny and Stephen are hoping for cash. Rebecca wants the truth about her sister's death. Martin is surprised to be there, but to get a single penny, they must first survive a night in the house. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Bench by Janice Sampson |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act play. Single set, which is mainly one of the characters! Contains swearing. |
Synopsis | A village green bench tells us about his day and why everyone should sign the petition against moving him to another location. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Black Combe by John Peel |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. |
Run Time | Around 49 minutes. [Estimated!] |
Music | None. |
Style | A one act drama, creating some tensions, with a single set. |
Synopsis | Three separate meetings take place on the same day, in the bar of the Duck and Feathers. Each of them, in their own way, affects the life of the landlord, Jimmy. Is it true that the clouds over Black Combe are bringing him bad luck? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Blatant Disruptions by Robert Scott |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Whilst six of the characters are written male, they are representations of famous archetypes and there's no barrier to them being portrayed by women wearing fake beards (or other appropriate indicators of character). |
Run Time | Around 9 minutes. [Estimated!] |
Music | None. |
Style | Daft comedy sketch. No set requirements other than a semi-circle of chairs, but costumes would seem appropriate, given the nature of the characters. |
Synopsis | The newly combined groups of 'Blatant Confusions' and 'Archaeological Disruptions' have their first meeting to hear about the progress on Stonehenge and other plans for confounding historians and archaeologists of the future. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Blind Date, Inc. by Gerald P. Murphy |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 16. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A series of linked comedy sketches set at a speed-dating event. Simple set - two tables, four chairs. |
Synopsis | A series of couples meet for the first time, introduced by Blind Date Inc. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Click here to read the script or Click here for more details. |
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Blind Date, Inc. 111 by Gerald P. Murphy |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 16. No chorus. Eight scenes, eight couples - but since the stories run consecutively, the minimum is two pairs, with lots of doubling. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | A series of linked comedy sketches. Simple set - two tables, four chairs. |
Synopsis | This follows exactly the same structure as the two predecessors Blind Date Inc, and Blind Date, Inc. 2 but with a different set of couples working out different relationships, covering a range of odd issues, with even Sherlock Holmes taking up the dating game! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Click here to read the script or Click here for more details. |
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Blind Date, Inc. 2 by Gerald P. Murphy |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 12. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A series of linked comedy sketches. Simple set - two tables, four chairs. |
Synopsis | This follows exactly the same structure as Blind Date Inc, but with a different set of couples working out different relationships as they play the dating game! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Blue Murder at Gallows Bottom by Paul John Matthews |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. |
Run Time | Around 57 minutes. [Estimated!] |
Music | None. |
Style | One-act dark comedy with a dry wit and plenty of murder served up. Somewhere between satire and folk horror. Contains language that may be less palatable than the murder. |
Synopsis | The village of Gallows Bottom is cut off by a flood and the only place to eat is Monica's Pastie Palace, where outsiders Jack and Mona encounter some very strange locals. Jack comments that this is a good place for a murder, and he turns out to be correct. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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