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| Up, Up and Away by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
| Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Urban Hymns by Keith Badham
Performance by Up-Stage Theatre Company won Best Youth Actress award in the Bedfordshire One Act Play Festival, 2011 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 65. No chorus. The nine scripts have casts ranging from two to twenty, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is six. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
| Synopsis | Nine short scripts:
Introduction (Nominally twenty roles)
Bittersweet Symphony (Seven roles)
The Drugs Don't Work (Four roles)
Sonnet (Four roles)
Juliet (Two roles)
Romeo (Two roles)
There Is A Light That Never Goes Out (Five roles)
24 Minutes From Tulse Hill (Six roles)
Lucky (Nominally 15 roles) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Voices by Peter Harrison
2012. Hale One-Act play festival. Winner Best Original play. Production by Altrincham Garrick. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 16. No chorus. Designed for one principal character and four on-stage voices, though the voices could be allocated amongst a larger number of actors.
The principal character is an old man, nevertheless, this could be played by a youth theatre company. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | The producer's copy of the script makes suggestions for accompanying music/songs. (For atmosphere, rather than live performance). Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play, set in the mind of the principal character, with other roles voiced but not interacting directly with him. |
| Synopsis | A veteran soldier finds himself trapped in his own flat, facing an imagined enemy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Wait... What? by Ted Evans |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Two (male) characters appear on stage, one of them only briefly. Two male and two female characters appear on a video shown on the stage. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, almost a monologue, in the style of a disjointed presentation. Some educational content about Attention Deficit Disorder. Includes opportunities for improvisation. Contains mild swearing |
| Synopsis | An Attention Deficit Disorder sufferer talks about his experiences with a new wonder-drug and ADD in general, but ends up saying a little too much for the drug manufacturer's liking. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Was Blind But Now I See by Howard Lipson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | Short skit, telling and examining a well-known fable from a Christian perspective. No set requirements. |
| Synopsis | Five blind people encounter a curious object and work together to find out what it is, while a sighted pair react differently. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Wedding Day by John F. Glen
Performance by Thurso Players won two trophies and came second overall in the SCDA Caithness Adult Festival of One Act Plays, Feb 2008 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Range of ages - three adult generations of one family. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Simple set (two pieces of furniture - so easy to stage as a competition piece). Contains mild swearing. |
| Synopsis | Annie, elderly matriarch of a family, looks back on a long life on the day her granddaughter gets married. She recalls the wedding of her daughter and her own wedding day, as well as some sadder memories. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| What If It's True? by Peter Marshall and Mark Seaman |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. Chorus. Four principal characters plus chorus (so the minimum of 6 would use a very small chorus, where larger would be preferable). |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | The producer's copy of the script comes with piano/vocal scores to 11 original songs. |
| Style | One-act musical with a very direct Christian message. No real set requirements - a few stage blocks plus a few props to indicate locations. |
| Synopsis | Chris and Kathy Blake are a young couple who embark on married life together with all its traditional demands. Like so many others, they feel that together they are invincible and secure from the challenges and temptations of the outside world. For a while they get on with their new roles of Mr and Mrs, eventually starting a family and not looking beyond their own immediate comfort and needs. However, when their relationship comes under pressure through Chris's excessive social drinking and infidelity the cracks begin to show... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Soundtrack CD - vocal performances of songs from the show
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| Click here to read the script or Click here for more details. |
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| What Manner of Man by Mike Smith |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 9. No chorus. Prince Charles Edward Stuart was regarded as having feminine looks and could be played by a woman. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act historical drama, set in the Jacobite rebellion of 1745. Most of the action takes place in a single interior set. Two exterior scenes could be played on bare stage. |
| Synopsis | Having reached the English town of Derby, Adjutant General of Bonnie Prince Charlie's forces, Lord George Murray agonises over the need to tell the Prince that taking London is not possible. He must win over two other members of the Prince's council to carry the day and force retreat. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Wild Bill's Swan Song by Craig Sandeman |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play (with a serious edge). Multiple settings, but one basic set with minimal changes. |
| Synopsis | Wild Bill has had a brush with death, and knows he's got a choice - die happy or live miserable. In the time he has left, he has to re-form his stripping group for one last show, and mend the relationship with his daughter and son-in-law. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Will at the Tower by Pete Hartley |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. Five principals plus a chorus of singers. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | The dialogue is interwoven with multiple instances of five original songs. |
| Style | Period drama. Minimal set requirements. |
| Synopsis | A story (based on a local tradition) of Catholicism in the reign of Elizabeth 1st. The Jesuit priest, Edmund Campion pays a clandestine visit to Hoghton Tower in Lancashire with a young Will Shakespeare in tow. They observe the life of the house as the new lady of the manor tries to marry off the daughter of the previous lord. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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