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| Shakespeare's Women by Jonathan Edgington |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Four on-stage characters plus four phone voices (which could be recordings). |
| Run Time | Around 13 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy play. |
| Synopsis | Best-selling author, acknowledged world authority on Shakespeare and totally irresistible to women, Herbie has the world at his feet. Or rather, he did, until three mysterious visitors arrive late at night with a mind-blowing offer... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sherlock Holmes' Last Case by Charlie Cook |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One act comedy play (single set). |
| Synopsis | The fabulous Kalimari diamond has been stolen from a locked bag in a locked safe, and when Watson hands over the ransom, the receiver is murdered horribly! A brilliant Holmes pastiche with appropriate gags and a surprise ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shivers by Peter Harrison |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | None. |
| Style | Trilogy of one-act plays with a supernatural theme. Two interior sets plus the interior of an elevator cabin. A mixture of comedy and ghostly melodrama. |
| Synopsis | The three scripts - Falling Apart, All Hallows Eve and Knock Knock, Who's There? - are all available separately.
Whilst there is no set order to the plays, Falling Apart - with a couple trapped in a lift - might be performed front-of-curtain between the other two plays, which each require an interior setting with a practical window. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Something That's Mine by Alexis Coward |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. Two characters are voice-only and gender non-specific - these roles can be doubled with two of the main characters. |
| Run Time | Around 46 minutes. [Estimated!] |
| Music | None. |
| Style | One-act dark comedy on two sets. |
| Synopsis | Two couples seek couples therapy. But what are they hiding from each other? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Speakeasy by Jane Quill |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama in a single (minimal set). |
| Synopsis | Spend a few evenings with the Speakeasy group, an informal talking session where people can deal with their issues, helped by Gary, the founder. Michael is struggling with depression, Rachel is alcoholic and Bettina is really Johnathan, but they all have the group in common. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Standing Room Only by James Harvey |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. The characters are written as 4M, 3F, a lot more flexibility is possible! |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play, single set (the minimum required to indicate a waiting room). Contains mild swearing. |
| Synopsis | A group of people are being kept waiting - in hell. How long are they going to have to hang around for their share of eternal damnation? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Stardust by 10 x 10 Writers |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | None. |
| Style | Six short plays inspired by the life and work of David Bowie. |
| Synopsis | Six short plays, a mixture of comedy and drama, inspired by the life and work of David Bowie. All were winners of the October 2016 Chesil Theatre New Writing Festival. The plays are available individually, but are provided here as a collection at a discount. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Suite 145 by Paul Bovino |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 12. No chorus. There is no overlap between the characters in the four plays - which does not exclude the possibility that they are played by the same actors. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 4 one-act plays, each with a single (New York apartment) setting. The plays function independently, so could be performed separately or together. Contains swearing (but only as an incidental attribute of character, situation and comedy). |
| Synopsis | Four plays, linked by the setting - Suite 145 - a New York apartment address (although it is not necessarily the same building!) The plays take place in different eras, with different occupants and certainly different tastes in decor! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Switched by Frances A. Lewis
Performance by Carbost Village Drama won the MacKinnon Salver and the Wakefield Quaich Award for stage presentation, Scottish One-Act Festival, 2014. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 7. No chorus. There are two off-stage voices which might be live or recorded. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act farce, with a single set split between a dentist's waiting room and a living room. |
| Synopsis | Jeffrey gets himself into a tangle when his girlfriend Veronica and wife Claudia end up with identical handbags...
Note that a companion piece - AKA Charlie - is also available. The two plays function independently, but can also be played together. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tabbed by Bob Tucker |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 12. Chorus. The script is about a group performing a British Pantomime, therefore Widow Twankey is intended to be played by a man, and Aladdin by a young woman. The chorus is optional (the chorus part could probably be doubled by a couple of the principals.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy, set in the middle of a (disastrous) pantomime performance. |
| Synopsis | It's Panto time again for the Witherington Over Mired Brook Amateur Theatrical Society (WOMBATS), but things aren't going well... Aladdin's had a nasty accident and had to be replaced at short notice, the script is illegible, the stage crew are in revolt and the lights and curtain aren't behaving themselves either. Can Widow Twankey hold things together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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