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| Clowns by Robert Scott |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 102 minutes. [Estimated!] |
| Music | None. |
| Style | Two act play set in a bar and (unsurprisingly) a circus tent. |
| Synopsis | It’s been years since Buttercup left the troupe to gain solo fame, but now he wants to get the old gang back together. He has to overcome a lot of reluctance, and some real anger before they agree, and then there's The Spectacle to deal with. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| CosPlay by Damian Trasler |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 6. Chorus. The chorus is optional, but could add a lot to the piece. |
| Run Time | Around 37 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Two settings but a simple set design will allow an easy switch between them. |
| Synopsis | The boss wants everyone concentrating on the big presentation, but excitement has gripped the office - this weekend is HeroCon, and people are planning their costumes! It soon becomes clear that what you wear on the outside can hide the real you. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Curtain Up! by Adam Croft |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 94 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy, in two acts, with a simple setting. |
| Synopsis | The Gerrysthorpe Amdram group are putting on a new play, but despite finding a cast, they may be in trouble. The village hall is going to be demolished to make way for Waitrose, so the performances have been moved up drastically! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Donegal Calling by John Peel |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 11. No chorus. Six on-stage characters, five off-stage voices. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama in a single set (which needs only furniture). |
| Synopsis | Roisin and Johnny, strangers, are thrown together one evening in the busy foyer of a hotel. They share a bottle of wine and conversation brings out major events in their lives. Both had fallen in love - both relationships ended tragically, for very different reasons - but Donegal keeps calling them back. One year later in the same hotel, the same busy foyer, they meet again as friends. More information about past events comes to light - enough to clear the way to give them a future together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Epic of Gilgamesh by Adrian Jarvis |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
| Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Fear is a Reaction, Courage is a Decision by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. The interesting, unconventional set-up of the collapsed shop allows for a different way into the theme of abusive relationships. Could make a powerful festival piece. |
| Synopsis | When the roof of a camping shop collapses, the customers and staff are trapped among the rubble, injured and in darkness. It falls to panic-stricken but uninjured Donna to care for the others, but her selfish boyfriend Jason just wants her to care for him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Fools Call It Fate by Jessica McHugh
Winner of the Mobtown Playwrights Group (Baltimore MD) original playwriting competition, 2010. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 10. No chorus. Three of the characters are intended to double as 'No-one'. Whilst there is no formal chorus, there are options for additional customers in the bar and restaurant scenes. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama in which threads of tangled lives are interwoven with scenes in a form of purgatory. Four locations, but can be done very simply. Contains adult themes and offensive language (if that's what offends you). |
| Synopsis | A story of sex, coincidence, and an electronic cigarette.
A group of characters interweave as their stories unfold - Sophie is sleeping with Gabby's husband, he's the Health Inspector who's shut down Tara's bakery, and Tara just met Ash in the bar run by Danny, who's Sophie's brother... and the man who drugged and raped Tara...
An intriguing, challenging and very well constructed play with lots of depth to the characters.
Set in Baltimore, Maryland, but could easily be transposed to another country! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For Your Tomorrow by Peter Ayre |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
| Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gate Thirteen by Tony Frier |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, with a dark twist. |
| Synopsis | A disparate group of travellers with various levels of flying experience await the departure of their flight home from Marrakech. Gary and Julie are ingeniously attempting to avoid excess baggage charges, Derek and Pauline are collecting as many freebies as they can and the mysterious Carrie is handcuffed to her seat. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| God's Minstrel by Joseph P. Ritz |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
| Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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