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The Epic of Gilgamesh by Adrian Jarvis |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Fall and Rise of Gordon Grimshaw by Sandy Truman Best Seller |
Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. |
Run Time | Around 110 minutes. [Estimated!] |
Music | None. |
Style | A consistently funny farce with a variety of storylines that all come together satisfyingly. |
Synopsis | Gordon fears that downsizing to Finchurch-on-Sea is the end of his life, with no job, no bowls club, and wife Marion putting him on a strict diet. But he hasn't reckoned on their bizarre new neighbours, kamikaze seagulls, brushes with the law, half-marathons, and getting reeled into amateur dramatics! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Flat Spin by Geoff Bamber |
Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 93 minutes. [Estimated!] |
Music | None. |
Style | Comedy verging on farce. |
Synopsis | Malcolm Watts returns from a short painting holiday to an empty flat, courtesy of long-term partner Rhonda's plan to lease the property to a new tenant while she sets up home with a hitherto secret paramour. When Malcolm discovers that he hasn't a legal leg to stand on and that earnest military history obsessive Alan is poised to move in, he finds himself relying on neighbours Patrick and Kate to rescue the situation. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Fleas Can Bite by George Freek |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | Dry comedy, on the boundary between a long one-act play, and a short full-length one. (It's in two acts.) |
Synopsis | A saga of unrequited love, insanity and blackmail, populated by a strange collection of patients, professionals and friends. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Fools Call It Fate by Jessica McHugh Winner of the Mobtown Playwrights Group (Baltimore MD) original playwriting competition, 2010. |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 10. No chorus. Three of the characters are intended to double as 'No-one'. Whilst there is no formal chorus, there are options for additional customers in the bar and restaurant scenes. |
Run Time | Around 100 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama in which threads of tangled lives are interwoven with scenes in a form of purgatory. Four locations, but can be done very simply. Contains adult themes and offensive language (if that's what offends you). |
Synopsis | A story of sex, coincidence, and an electronic cigarette. A group of characters interweave as their stories unfold - Sophie is sleeping with Gabby's husband, he's the Health Inspector who's shut down Tara's bakery, and Tara just met Ash in the bar run by Danny, who's Sophie's brother... and the man who drugged and raped Tara... An intriguing, challenging and very well constructed play with lots of depth to the characters. Set in Baltimore, Maryland, but could easily be transposed to another country! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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For Your Tomorrow by Peter Ayre |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
Run Time | Around 115 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Gladiator In The House by John Waterhouse |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 10. No chorus. |
Run Time | Around 115 minutes. [Estimated!] |
Music | None. |
Style | A full length comedy (reminiscent of a Restoration Comedy) with various settings in Ancient Rome designed to be created simply (even in the round). |
Synopsis | Ancient Rome is brought to life as the love affair between escaped gladiator, Marcus, and Livia, daughter of high ranking citizen Gallus, develops despite the efforts of gladiator owner Proculus and the lecherous banker Carus. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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God's Minstrel by Joseph P. Ritz |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Illusion/Delusion by David Pollard |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | A collection of three one-act plays, all of which are also available separately. |
Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Inspector Whalley's Casebook - Volume 2 by Barry Lambert |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 8. No chorus. Same principal characters as Inspector Whalley's Casebook, but functions completely independently. |
Run Time | Around 96 minutes. [Estimated!] |
Music | None. |
Style | Single set - a police operations room with a single entrance (which need not be a practical door). |
Synopsis | Inspector 'Bloodhound' Whalley and his team take on a trio of tricky cases - missing persons, ATM cash theft, and ...Team Building! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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