|
Trussed by JPS Yates |
Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 9. No chorus. The ninth character is an offstage female voice. This could be recorded, but would be better played live as it is a phone interaction with an onstage character. |
Run Time | Around 120 minutes. [Estimated!] |
Music | None. |
Style | Two act comedy with two domestic sets - one in each act - which are the mirror immage of each other! Contains swearing. |
Synopsis | As if being burgled wasn't bad enough, Graham can't get the police to come round, or his insurance adjustor to pay out on the claim. But is staging another burglary really the answer? It seems not, although with help from his wife and the neighbours, he does find the burglar. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Twisted Tales - A Night at the Grand Guignol by Ged Quayle New |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 14. No chorus. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Collection of short pieces in the style of Grand Guignol. There's comedy here, and horror, and ever so much gore. Not for the squeamish. |
Synopsis | Apres Lui (in which a writer and a theatre manager review the history of the Grand Guignol and enact a loose version of Lui!, its first major hit) and The Last Kiss (an exploration of the genre, taking in the horrors of war, the freedom of the individual and the ethics of collaboration along the way) are only available as part of this collection. The rest are also available separately Honeyrose and Hayseed The Doctor of Death Bon Appetit Birdseed |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Up, Up and Away by John Peel |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
White Rock by Martin Ward |
Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 98 minutes. [Estimated!] |
Music | None. |
Style | A full length thriller with one set comprising three simple settings. |
Synopsis | Autocratic Sir James Bannerman is the long time head of the family publishing firm and brooks no argument from his fellow directors, two of whom are his adult children. Everyone at the office has their own compelling reasons to be rid of him and when he is murdered Inspector Hilliard has his work cut out to find the culprit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Will at the Tower by Pete Hartley |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. Five principals plus a chorus of singers. |
Run Time | Around 110 minutes. [Estimated!] |
Music | The dialogue is interwoven with multiple instances of five original songs. |
Style | Period drama. Minimal set requirements. |
Synopsis | A story (based on a local tradition) of Catholicism in the reign of Elizabeth 1st. The Jesuit priest, Edmund Campion pays a clandestine visit to Hoghton Tower in Lancashire with a young Will Shakespeare in tow. They observe the life of the house as the new lady of the manor tries to marry off the daughter of the previous lord. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'rehearsal CD' with piano arrangements of songs from the show
|
Click here to read the script or Click here for more details. |
|
|
The Windfall by Barry Lambert |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. One (gender non-specific) character is voice only and can be doubled. |
Run Time | Around 120 minutes. [Estimated!] |
Music | None. |
Style | A full-length farce with a single (living room) setting. |
Synopsis | When an intruder drops dead in their Sudbury flat, Laura Barrett passes off the corpse as husband Neville and claims the life insurance, thereby solving their multiple financial problems. In return for a cut, neighbour Peter supplies a car so Neville can take refuge in Yorkshire while Laura deals with the sale of their flat. Long-suppressed feelings between Laura and Peter soon come to the surface, but all efforts to ‘cement their relationship’ seem doomed to end in frustration at the hands of the emergency services. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Write About What You Know by Paul Gisby |
Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. Character ages range from young adult to retiree. |
Run Time | Around 90 minutes. [Estimated!] |
Music | None. |
Style | Comedy. Single set, two acts |
Synopsis | A painfully comic evocation of a writers' circle, where the members struggle with a variety of literary forms, and with each other. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|