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Love by John Collings |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. The chorus of dancers is optional. |
Run Time | Around 44 minutes. [Estimated!] |
Music | None. |
Style | A one-act romantic comedy drama with a single multi-functional set. |
Synopsis | A young girl dreams of finding real love and breaking away from her dominant mother. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Necklace by Tony Best Performance by Cheshire Academy of Performing Arts won best Youth Production and the Syd Mence cup for a piece of theatre magic at the Wilmslow Guild One Act play Festival, 2012 |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 29. Chorus. There are two main roles, and a 'chorus of voices' playing all the other roles, thus the numbers are very flexible. The chorus members play specific roles but also act as a 'Greek Chorus' to comment on the story. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act play based on a short story (a moral fable) by Guy de Maupassant. Written for a youth theatre production but could be performed by adults. |
Synopsis | Mathilde is a vain, proud woman, who regrets that the she has been born into the humbler classes. She longs to be an aristocrat. Given her chance to shine, she borrows a stunning necklace, but that is the start of her woes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Nothing Old Nothing New by Anne Graham |
Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | A farce with a single-setting - set over two acts, though could be performed in one. Some strong language |
Synopsis | Valerie is dead but unable to leave her house, now occupied by her son and his wife Zoe - the cause of her fury and her enforced sit-in. Her grandson arrives to find his mother making plans for his sister’s wedding. When the bride and groom and his father arrive for the weekend along with the groom’s psychic mother, scandalous revelations lead to the wedding plans being blown apart and a ruined weekend, although chaotic events lead to Valerie’s happy release. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Othello In Hell by Richard Gordon |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one act play based on the Shakespeare classic. |
Synopsis | Trapped in an invisible prison, the spirit of Othello is tormented by his own memories and visions of those he has known in life. He seems doomed to repeat a cycle of regret and blame and rage, even when granted Desdemona’s forgiveness. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Potted Pride & Prejudice by Nadya Henwood |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 14. No chorus. Written for a cast of 4 playing 14 roles (with one of the men playing the older female roles). |
Run Time | Around 50 minutes. [Estimated!] The original production (with a cast of 4) ran between 45 and 50 minutes. |
Music | None. |
Style | A one-act adaptation of Jane Austen's novel, designed to be performed in a simple set (just furniture brought on by the cast). Essentially a drama, but with comedy, not least from the casting. |
Synopsis | Mrs Bennet is keen to find husbands for her four daughters, especially when the wealthy Mr Bingley moves into the area. Elizabeth instantly dislikes the snobbish Darcy, and Lydia runs off with the charming Wickham, but not everyone is how they first seem. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Reasonable Doubt by A.D. Peters |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | Play in two short acts - courtroom drama and crime - the way the jury sees is, and the way it happened. |
Synopsis | A tense courtroom drama with the prosecutor battling a slick defence lawyer at the murder trial of social misfit Josephine Mason. The second act takes the form of a flashback portraying the murder of which she is accused. We are left with the dilemma of knowing jury's decision before we learn the identity of the murderer. We are then able to evaluate the justice of the verdict, wherein lies the final twist. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Shreds - The Unravelling of Charles Dickens by Phil Porter (music Mary Harrison Hewett) |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 32. Chorus. Two principals (Dickens and George Dolby), plus many other characters, real and from Dickens' writing, who might be played by a number of on-stage 'voices'. |
Run Time | Around 48 minutes. [Estimated!] (The original production ran for one hour.) |
Music | Keyboard scores for 10 pieces of background music are provided with the producer's copy of the script. |
Style | Drama in a single simple set, designed to be accompanied by projected images (with the option for an on-stage pianist providing mood music). |
Synopsis | A dramatization of the circumstances that led Charles Dickens to wild success reading extracts from his novels on stage, and the terrible toll it took on him. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** CD with 40 images, 18 sound effects, 3 video clips and 10 pieces of musical accompaniment for 'Shreds - The Unravelling of Charles Dickens' by Phil Porter (Music by Mary Harrison Hewett)
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Click here to read the script or Click here for more details. |
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The Spasm by Tony Best |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 10. Chorus. Flexible chorus size |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | A play in five short acts. |
Synopsis | Based loosely on the short story by Guy de Maupassant, the play explores manservant Prosper's journey to heaven, and his discovery that his heaven may become his hell. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Stardust by 10 x 10 Writers |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 17. No chorus. |
Run Time | Around 58 minutes. [Estimated!] |
Music | None. |
Style | Six short plays inspired by the life and work of David Bowie. |
Synopsis | Six short plays, a mixture of comedy and drama, inspired by the life and work of David Bowie. All were winners of the October 2016 Chesil Theatre New Writing Festival. The plays are available individually, but are provided here as a collection at a discount. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Three Little Words by Jamesine Cundell Walker |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 13. No chorus. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | A collection of eight short plays, loosely on the theme of love. Multiple settings, but simple sets requiring just furniture (and not much of that). |
Synopsis | Malcolm and Karen find themselves trapped in the office storeroom. Ken and disillusioned Brian reminisce about life, comedy duos, and lost loves. Elderly Marjorie has lost interest and decided to spend her life in bed. Overbearing Rosie drops off daughter Florence at the start of her first Oxford term. Graham's ex-wife appears at his mother's funeral. Teenager Alex gets talking to elderly Gladys in a hospital waiting room. Despite Danni's encouragement, Jo is reluctant to look at the results of her pregnancy test. Malcolm hopes to appear at the wedding of his ex-girlfriend, but her sister has something to say about it. (Featuring returning characters from three previous scenes.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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