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Potted Austen: Emma by Lou Treleaven |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. |
Run Time | Around 13 minutes. [Estimated!] |
Music | None. |
Style | A short adaptation of Jane Austen's Emma. |
Synopsis | A short, humorous adaptation of Jane Austen's Emma, covering all of the relevant events and characters with minimal staging requirements. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Potted Austen: Northanger Abbey by Lou Treleaven |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 11. No chorus. |
Run Time | Around 13 minutes. [Estimated!] |
Music | None. |
Style | A short, humorous adaptation of Jane Austen's Northanger Abbey. |
Synopsis | A short take on Jane Austen's Northanger Abbey, covering all of the relevant events and characters with minimal staging requirements. Cast size can be reduced to six with some meticulous doubling! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Potted Austen: Pride And Prejudice by Lou Treleaven |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 15. No chorus. |
Run Time | Around 14 minutes. [Estimated!] |
Music | None. |
Style | A short play ideal for schools or classrooms. |
Synopsis | A short, humorous adaptation of Jane Austen's Pride and Prejudice, covering all of the salient events and characters. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Reporting From... by Liliya Sazanavets |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 12. No chorus. A lot of doubling is possible, but the author does not recommend it, because each character represents a specific group in society and the characters have to deliver a clear message to the audience. |
Run Time | Around 20 minutes. [Estimated!] This is based on the author's experience. Since there is no dialogue it is very difficult to judge! |
Music | None. |
Style | Mimodrama - a drama with no spoken words where plot and emotions are conveyed through actions. Performed well, this could be a very powerful piece. Props and furniture (including a swing) but no fixed set. |
Synopsis | An anonymous journalist reports on various horrific situations in areas of conflict in various parts of the modern violent world. Her message is all the more poignant as it is delivered without words. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Room for Another by Gill Medway |
Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | A well-written 65-minute ensemble drama on a single set, with stories developing naturally for all the characters. Suited to groups with a range of playing ages, with good roles for all. |
Synopsis | It's November 1940 and Hitler's bombs are raining down on London. Elsie and her daughter Carrie have their favourite night-time spot on a platform in the Underground - and on two successive nights they welcome a motley group of strangers to join them. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Room With A Clue by Matthew Lynch |
Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | One-act play. Single set (clinical reception area). Contains mild swearing. |
Synopsis | This waiting room is a busy place. Eddie has arrived with a damaged arm and is impatient to get the receptionist to get him processed. But then there are the other arrivals, with a range of experiences... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Sacrifice by Rebecca Preen |
Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | Emotionally powerful fifteen minute drama that manages to examine the effect of trauma on a whole family without stepping outside the hospital room of the patient. |
Synopsis | Beth is in a coma, and her family wait by her bedside, but as time passes it becomes clear Beth is not going to wake up. Her Mum is the most reluctant to move on, but even she can't fool herself any longer. But they can't hear what's happening inside Beth's head... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sent Back Standing by Jenny Gilbert |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. An uneven distrubution of roles, with the play dominated with the director (though, unusually in these circumstances, the director is on stage). |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single set (pretty much a bare stage). |
Synopsis | A director struggles to keep her sanity through the stresses of a Tech rehearsal in a venue that's being rebuilt around the company. She's also haunted by her husband's affair, and trying to work through her private grief in a very public place. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Shadows Of Antiquity by Adora Pingstock |
Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 12. No chorus. Opportunities for doubling and pre-recording parts. |
Run Time | Around 23 minutes. [Estimated!] |
Music | None. |
Style | A one act gothic horror tale with a single setting. |
Synopsis | Madame Carlotta is the custodian of the shop in which each of the items on sale has a gruesome story attached to it. A young couple sheltering from a severe storm find refuge in the shop and are enthralled as Madame Carlotta's tales come to life, little knowing that they will be the subject of the next tale. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Shreds - The Unravelling of Charles Dickens by Phil Porter (music Mary Harrison Hewett) |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 32. Chorus. Two principals (Dickens and George Dolby), plus many other characters, real and from Dickens' writing, who might be played by a number of on-stage 'voices'. |
Run Time | Around 48 minutes. [Estimated!] (The original production ran for one hour.) |
Music | Keyboard scores for 10 pieces of background music are provided with the producer's copy of the script. |
Style | Drama in a single simple set, designed to be accompanied by projected images (with the option for an on-stage pianist providing mood music). |
Synopsis | A dramatization of the circumstances that led Charles Dickens to wild success reading extracts from his novels on stage, and the terrible toll it took on him. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** CD with 40 images, 18 sound effects, 3 video clips and 10 pieces of musical accompaniment for 'Shreds - The Unravelling of Charles Dickens' by Phil Porter (Music by Mary Harrison Hewett)
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Click here to read the script or Click here for more details. |
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